You are here

Features

Features section

Bending razor-thin glass to tech’s future needs

By - Nov 04,2015 - Last updated at Nov 04,2015

Photo courtesy of acidcow.com

PALO ALTO, California — “We don’t make that kind of glass,” said Waguih Ishak, director of Corning Inc.’s West Coast Research Centre, pointing to the windows lining his office and, beyond that, to the windshields of the cars parked outside.

“That is very thick glass, where impurities and small defects don’t really matter. At Corning, we make electronic-grade glass.”

Ishak knows that to the layman, this doesn’t mean much.

Glass is glass. You can see through it, it keeps things out, and it breaks.

What more could Corning’s lab in Palo Alto do besides make it a little thinner, a little smoother and a little clearer?

Ishak smiled. His face was friendly, but the knowing look in his eyes was clear: You have no idea.

He played with a plastic-like sheet between his hands, bending it back and forth.

“This is Willow Glass,” he said, forming a bell curve with the sheet. “It’s 0.1-millimetre-thin glass.”

Corning can now mass-produce Willow Glass and ship it around the world in large rolls.

“And this”, he said, tapping on some smaller pieces of glass on the table, “is Gorilla Glass.”

Gorilla Glass is the glass in iPhones. Thanks to Corning’s chemical formulas, it’s the reason phones are now more scratch- and shock-resistant than earlier models.

Now picture this, Ishak said: razor-thin glass with the flexibility of plastic and the durability of steel.

Think what it would mean for mobile devices.

Heck, think what it could mean for any electronic device with a screen.

This isn’t a pipe dream, he said. Scientists at Corning — a company that creates the recipes and processes to manufacture glass used in smartphones, televisions and even space shuttles — are finally having technological breakthroughs that could make glass, an often overlooked component of electronic devices, sexy.

Or, in Ishak’s eyes, sexier than it already is.

“Plastic ages,” he said. “After a few years it becomes yellow and deteriorates. Glass doesn’t.”

He continued: “If you have a one-millimetre sheet of plastic, it will take an oxygen ion [that is, moisture] a few hours to get through it. Moisture is terrible for electronics. If you have a one-millimetre piece of glass, it will take 30 billion years.”

“So!” Ishak said, raising both eyebrows, satisfied he’d made his point. “Hmm!”

Beyond the inherent properties of glass, though, Ishak has reason to believe in the material. Willow and Gorilla Glass aside, he’s leading a team of scientists and engineers at Corning to make glass do things most people thought were impossible. Thinner, stronger, flexible, anti-glare, anti-bacterial — and that’s just the start of it.

In Corning’s factories, high-quality raw material comprising sand and other material is melted and poured down the exterior of a structure that resembles a trough. The molten glass flows down each side of the trough, meeting at a point at the bottom. Here, the substance fuses together (thus the name fusion glass manufacturing) and gravity continues to pull it down. As gravity pulls it, the substance begins to cool into sheets of glass.

This is a process that Corning has used for the last few decades to make glass.

More recently, though, Corning has added a step to the process. As the substance cools, Corning attaches it to a roll, which pulls the sheet even further, making it thinner. The result? Glass that gets as thin as 0.05 millimetre.

It’s not as simple as stretching the glass out like pizza dough, though. Corning scientists have spent years tweaking the chemical composition, time, pressure and temperature to make it work. Willow Glass was made possible only a year or so ago.

Thinner glass can obviously mean thinner devices, but these new processes are producing glass so pristine that Ishak predicts they’ll soon be able to support 4K or higher resolution video on mobile phones.

Another thing: “Every time I shave 0.1 millimetre, it allows for a bigger battery,” Ishak said. “Bigger battery means more time between charges.”

The company is also making strides with stronger, steel-like glass.

On Ishak’s table, where small squares of Gorilla Glass sat, he tapped on a square of non-Gorilla Glass.

“This one is ordinary soda lime,” Ishak said.

Soda lime is the kind of glass used for drink bottles and windows.

Using a tool that resembled a metal crochet needle, he pressed one end against the glass. With little effort, it cracked.

“This one is soda lime that we’ve treated with some chemicals,” he said, tapping at the next piece of glass.

This time, Ishak had to apply a bit more pressure, but again, the glass cracked.

“And this third one is Gorilla Glass, which we made, and plunged in a special chemical bath. The recipe is our intellectual property.”

Ishak threw his weight behind the metal needle, pushing it into the third piece of glass. It stayed put.

“And this last one is the next iteration of that.”

This time using both hands, he pushed the needle into the millimetre-thin square. The glass didn’t budge. It didn’t even scratch.

These developments are a big deal, according to industry experts who believe advancements in glass alone could change the way we make and use mobile devices.

“I see the immediate use of this ultra-thin glass will be improving the durability of phones,” said Andrew Hsu, head of the concept prototyping team at Synaptics, a firm that develops touch screens and displays. “It’s amazing to think everyone has a $600-to-$800 device that’s incredibly complicated, and people use and abuse them and throw them around.”

More durable phones could also mean the end of phone cases, which, according to Daniel Hays, a principal partner at PwC, could “improve the viability of having dual-screen phones where the back of the phone serves a different purpose,” he said. A second screen, perhaps? Maybe a touchpad?

Or, according to Hsu, if glass can get so thin that it’s bendable while retaining its strength, think of the different forms devices could take.

“In the early days of phones, there was a diverse ecosystem of handsets that took many different forms and shapes,” he said. “Then, after 2009, every one had a rectangular slab.”

Tougher devices, more powerful and longer-lasting devices, and more diverse devices are all inching closer to reality all thanks to, yes, glass.

And with glass becoming so thin and flexible, researchers around the world are even exploring flexible electronics: phones that can be folded in half, tablets that can be rolled up like a fruit roll.

According to Ishak, glass is ready for fruit roll technology. Willow Glass already comes on a roll. The rest of the electronics industry just isn’t quite ready to get that sexy.

But when it is, Ishak said, Corning will be ready.

And when the roll-up phones are finally made?

 

“I’ll be the first to buy it!”

Meeting point

By - Nov 04,2015 - Last updated at Nov 04,2015

Every once in a while, as expatriates living away from our homeland, we come across foreigners who know more about our country than we do. Take this Jordanian gentleman, for instance. Suave and elderly, he was delighted to meet me, especially when he discovered that I was from India. And then he asked me if I had seen “Sangam”. 

My husband, who had made the introduction, had no idea what he was talking about. But I instantly figured that he meant the classic Indian movie that was a blockbuster hit of my parents’ generation. When I nodded my head in agreement, he was slightly sceptical. The film must have been released before my birth, he reasoned. It was, I agreed again. He looked disappointed but when I told him that it was a story of two men who were best friends, one of whom was a pilot, and they loved the same woman, he brightened up immediately. 

From then onwards he was mesmerised. He could not stop raving about the picture; from the songs to the plot to the cinematography to the actors, he loved everything about it. Soon, we were trading insights about the film. I informed him that this was the first Raj Kapoor (the great Indian actor, director and showman) movie that was shot entirely in colour. He said he knew it already. Then he stated that this picture was shot in foreign locales like Paris, Venice and Switzerland, which was also a first for Indian cinema. I was surprised to learn this bit of information. 

As we settled into our seats around the dining table, he confided that almost every night he listened to the songs of “Sangam”. His American wife could not understand this manic enthusiasm initially but now, if he forgot to do so, she reminded him about it. He found the tunes very soothing even if he could not comprehend the meaning of the songs completely. We disagreed a little with whether the film was about male bonding or a love triangle. The manner in which the two men kept shunting the female love-interest from one to the other without any regard to her feelings, was debated upon. 

The coy and reclusive Vyjayantimala reinvented herself, and even wore a swimsuit, he enlightened me. Giving in to Raj Kapoor’s obsession for the colour white, she was spotted only in white dresses in this entire picture, I conveyed to him. It was nominated for twelve Filmfare awards, out of which the movie won four of them, including best director, actress, editing and sound design, we chorused. 

While we were reminiscing about the bygone era, someone tried to tell us about Hollywood stars Will and Jada Pinkett Smith and Tyrese Gibson’s visit to Amman to attend a Jordanian billionaire’s wedding. It was happening at a nearby hotel but none of us showed the slightest inclination to go there. Not that we were invited but if we wanted to, we could have gatecrashed. However, we treated the news as a slight deterrent before going back to our main discussion about “Sangam”. 

“What does the word mean?” the gentleman asked suddenly. 

“It is a difficult word,” my husband admitted.

“Actually, it’s a Sanskrit word,” I tried.

“But what does it mean?” he repeated.

“I might have to Google it,” I confessed.

“Tell me at our next meeting,” he said.

“That’s it! Exactly,” I exclaimed.

“What’s the point?” my spouse interrupted. 

“Sangam means meeting point,” I smiled. 

Twitter trades stars for hearts, favourites for likes

By - Nov 04,2015 - Last updated at Nov 04,2015

WASHINGTON — Like it or not, Twitter on Tuesday retired its star button that users click to “favourite” a post and replaced it with a heart.

The messaging platform said the new system of “likes”, which is also used by Facebook, offers a better way for users to express their views. But it quickly sparked an outcry from some users.

“Hearts? Really Twitter? Why not lollipops, or sugardrop fairies made of rainbow smiles, sparkles and a generous dollop of dreams?” one user wrote.

“There are too many love hearts on Twitter now, I feel like I’m reading text messages between a 12 year old couple,” another tweeted.

Twitter said the move was designed to be easier to understand for users around the world.

“We want to make Twitter easier and more rewarding to use and we know that at times the star could be confusing, especially to newcomers,” product manager Akarshan Kumar said in a blog post.

“You might like a lot of things, but not everything can be your favourite.”

Kumar said the heart “is a universal symbol that resonates across languages, cultures and time zones”.

“The heart is more expressive, enabling you to convey a range of emotions and easily connect with people. And in our tests, we found that people loved it,” he added.

The heart symbol had already been used on Twitter’s Periscope livestream app, and it now will appear on Twitter and Vine, the app for short videos.

The idea has been around for months, and key Twitter investor Chris Sacca suggested such a change in a June blog post, saying favourite was “too strong a word”.

“Favourite is a superlative. It implies a ranking. In the early days of Twitter many of us interpreted the word literally and only keep a few tweets in our favourites that were truly, well, our favourites,” he wrote.

“Today, many of my friends and I use the star as a ‘like’ button equivalent... However, the majority of users are baffled by favourites and they don’t end up using the star much, if at all.”

 

‘Horrible things’

 

A Twitter “poll” — another new feature to boost user interest — found 88 per cent preferred “favourites” and only 12 per cent “likes”, with some 28,000 users voting.

Some critics said the change puts people in an awkward position of liking tweets related to tragic news events.

“For journalists that means it’ll look like we ‘love’ horrible things,” tweeted Bel Trew, a Middle East reporter for The Times of London

Similar complaints have been voiced about Facebook’s “like” button and the social network has been studying other options.

But Facebook has said there will be no “dislike” button. Facebook chief executive Mark Zuckerberg has said users wanted “the ability to express empathy” because “not every moment is a good moment”.

Twitter has been struggling to boost its user base in the face of sluggish growth compared with that of other social networks. It recently brought co-founder Jack Dorsey back as its chief executive on a permanent basis.

 

In its latest quarterly update, Twitter reported 320 million monthly active users — only modestly up from 316 million in the past quarter and 11 per cent higher than a year ago.

Nintendo finally pulls the trigger on first mobile game

By - Nov 03,2015 - Last updated at Nov 03,2015

Nintendo’s customisable Mii avatars take centre stage in its first smartphone game — Miitomo (Photo courtesy of Nintendo)

Nintendo is finally making the move into smartphone gaming, figuring it’s better late than never.

The Japanese electronics maker — one of the world’s biggest video game companies but a virtual nonentity in the rapidly growing mobile games industry — unveiled its first title for smartphones last week in Tokyo.

“Miitomo”, which is set to be released in the spring of next year, is a game that allows players to create avatars to interact with one another socially. The game is the first of five mobile apps Nintendo plans to launch by March 2017, including one that may feature the iconic “Super Mario”, the company said at an investor briefing in Tokyo.

The long-overdue move is an effort to tap into the lucrative and cutthroat world of mobile games that has exploded with the proliferation of smartphones and tablets. Chances are, at one time or another, you were secretly obsessed with “Angry Birds” or “Candy Crush”. Even Kim Kardashian scored big when she launched “Kim Kardashian: Hollywood” last year, with the addictive mobile game raking in $1.6 million in its first five days.

This year marks the first time mobile gaming revenue will exceed console gaming revenue globally, at $30 billion versus $27 billion, according to video game market research firm Newzoo.

Nintendo’s popular franchises, which include “Super Mario” and “Zelda”, “have the potential to be a billion-dollar business on mobile alone,” said Peter Warman, Newzoo’s co-founder and chief executive.

“Unbelievable that it has taken so long for Nintendo,” he said. “They had to see Apple, Google, King and Supercell surpass them in terms of 2014 game revenues to take action towards mobile. However, it never is too late because smartphone and tablet gaming is here to stay.”

Nintendo first announced its entry into smartphone games in March, partnering with Tokyo Internet firm DeNA.

“Both companies will develop and operate new game apps based on Nintendo’s (intellectual property), including its iconic game characters, for smart devices,” DeNA said in a statement at the time.

“The alliance is intended to complement Nintendo’s dedicated video game systems business and extend Nintendo’s reach into the vast market of smart device users worldwide.”

Once the unequivocal leader in video games, Nintendo today is facing threats from several directions.

Its troubles began when casual gamers who enjoyed Nintendo’s family friendly titles migrated from home and hand-held game consoles to mobile devices, where they found similar games made by rival developers, often available free.

At the same time, consoles like the PlayStation and Xbox started serving hardcore gamers with graphically rich titles, many highlighted by heart-pounding violence.

Complicating matters for Nintendo was the saturation of the global console market. It didn’t help that consoles never made inroads in China and other regions.

As such, the Kyoto company has experienced steep declines in console sales in recent years.

In 2008, no home video game console was more popular than the Nintendo Wii, with 24.19 million units sold. By 2014, only 530,000 of them were sold, fewer than the Xbox One, Xbox 360, PlayStation 3 and PlayStation 4, according to data website Statista.

Nintendo’s latest console, the Wii U, was a dud, selling about 10 million units its first three years. Even its hand-held 3DS has seen sales dip from 12.56 million units in 2011, its launch year, to 9.97 million in 2014.

Meanwhile, sales of Sony’s PlayStation 4, a more powerful gaming console, nearly doubled to 13.92 million units in 2014 from 2013.

By turning its focus to smartphones, Nintendo is relying less on its console business while capitalising on the near ubiquity of smartphones.

But unlike Sega, which ditched its Genesis console to focus on games, Nintendo isn’t abandoning consoles.

Ideally, the move into mobile games satisfies longtime customers while enticing new ones to the Nintendo brand, which might in turn lead them to buy Nintendo’s consoles. The company also is working on a secretive new platform code-named NX.

The problem with chasing its target audience to mobile is that the smartphone gaming market has become crowded with competitors, and Nintendo is relegated to playing catch-up.

Warman said the annual growth rate for mobile games in the US has slipped over the last few years from more than 60 per cent to just over 10 per cent. The good news for Nintendo is that emerging markets are embracing mobile games.

“Top global game franchises generate $1 billion-plus per year. Examples being ‘Candy Crush’, ‘Clash of Clans’, ‘Call of Duty’, ‘GTA’. ‘Mario’ is in the same league and has the potential to generate $500 million-plus on mobile alone,” he said. “I am very happy that Nintendo has woken up to the real world.”

All of Nintendo’s intellectual property would be eligible for development under the alliance, and that only new, original games optimised for smartphones would be created, “rather than porting games created specifically for the Wii U home console or the Nintendo 3DS portable system,” DeNA said.

The companies also said they would build an online membership service for consumers that would be accessible from smart devices, PCs and Nintendo consoles.

Nintendo’s first mobile game will be free to download but include in-app purchases.

A paid game, which usually costs 99 cents to a few bucks, would have provided a short-term boost in revenue. But a free game means more downloads, and therefore, more user data. That gives Nintendo time to analyse how well the game works, tweak it and develop ways to maximise in-app purchases, Warman said.

Whether the apps lead gamers to buy Nintendo’s consoles is uncertain.

Michael Pachter, an analyst at Wedbush Securities, said the explosion of mobile games was aided by cheaper cellphone data plans. That lured users away from Nintendo’s hand-held consoles onto smartphones and tablets, creating an expectation that video games would be cheap or free; after all, only a small percentage of people pay for in-game features.

“I don’t know if the free-to-play audience is interested in spending $150 on a device and another $40 to $50 on a game,” Pachter said.

Despite its woes, Nintendo still boasts loyal fans.

Samantha O’Neil — better known as NintendoFanGirl to her 61,000 YouTube subscribers — said a mobile game would be a welcome addition to the company’s storied line-up.

 

No matter what the game is, she said, “I’ll buy it out of the gate.”

Google’s Internet-beaming balloons to take off in Indonesia

By - Nov 03,2015 - Last updated at Nov 03,2015

MOUNTAIN VIEW, California — Google’s Internet-beaming balloons are ready to take off on the next phase of their mission to deliver online access in regions where most people live offline.

The balloons will begin hovering in the stratosphere above Indonesia in an expansion of the project. About 250 million people live in the country composed of about 17,000 islands in that part of Southeast Asia, although only 42 million have Internet access, according to the CIA’s estimates.

Google’s two-year-old “Project Loon” programme aims to change that by transmitting high-speed Internet signals from clusters of balloons floating about 1,830 metres above the Earth.

Although the project is still being funded primarily by money that Google makes from digital advertising, it recently became part of an independent lab called X that is run by Google’s new parent company, Alphabet Inc.

Alphabet frames Project’s Loon as a noble endeavour striving to get about 100 million currently unconnected people tapped into the vast reservoir of knowledge, entertainment and conveniences available online. But it could also enrich Google by expanding its potential audience. Project Loon is still testing its technology, so there is still no estimate when it will start selling the Internet service to households and businesses within range of the balloons.

The Internet access will be sold through wireless service providers in Indonesia, where there the number of mobile phones — about 319 million — outnumber people. But most of those phones don’t connect to the Internet because users can’t afford data plans, or more frequently, live in remote or rocky terrains where it’s impractical or too expensive to install the equipment need to deliver high-speed Internet access.

If things pan out as envisioned, Project Loon will deploy hundreds of balloons that serve as cell towers in the sky, invisible to the naked eye. To pull it off, the project’s engineers must choreograph a high-altitude dance, ensuring that as one balloon drifts out of a targeted territory’s Internet-receiving range, another one will float in to fill the void.

The Indonesian expansion follows extensive testing in New Zealand, Australia and remote areas in California and Brazil. Indonesia’s sheer size and geographic sprawl makes it Project Loon’s most ambitious step yet.

Eventually, Project Loon envisions dispatching its balloons to other unconnected regions in the world, ranging from small villages in Africa to the woods of California.

Google co-founder Sergey Brin envisions Project Loon eventually creating millions of jobs around the world to raise the standard of living for now-impoverished people as they are able to get online to educate themselves and make new connections.

 

“The emotional distance of the world is shrinking, thanks to the communications we enjoy today,” said Brin, who oversees the X lab as Alphabet’s president.

Assertively unconventional

By - Nov 02,2015 - Last updated at Nov 02,2015

Photo courtesy of Hyundai

A welcome arrival when launched in 2012, the Veloster Turbo was a spicier addition more befitting Hyundai’s unconventional, striking and assertively styled hatchback-cum-coupe. Revised for 2015, the hotter Veloster Turbo now features a 7-speed dual clutch automated gearbox, but with engine unchanged, hasn’t yet been fettled by Hyundai’s long-awaited and recently announced performance N sub-brand.

Noticeably better focused than the garden-variety Veloster, the Turbo’s sharpened steering and chassis make it a rewardingly more engagingly and sporty drive. However, with output rated at 183BHP, the Veloster Turbo seems not pitched at the white-knuckled hell-raising end of the hot hatch spectrum, but rather the suitably warmed over but still efficient and refined daily drive end of the segment.

 

Urgent aesthetic

 

Intricately designed with huge gaping hexagonal grille echoed by similarly carved fascia frame, sharp-layered lower lip and bonnet extractors, the Veloster Turbo exudes urgency and dynamic tension. And with rakishly low roofline, tailgate spoiler, dual central exhaust tips, rear air splitter, muscular wheel arches and large 225/40R18 tyres, the Veloster Turbo’s is among the most aggressively styled in its segment.

Overtly assertive with complex wavy design lines and sharply descending roofline, the Veloster Turbo offers similar aesthetic aggression to more powerful but considerably pricier Renault Megane RS, Opel/Vauxhall Astra OPC and Volkswagen Scirocco R hatchback coupes. But, where performance and accessibility are concerned, it is more accurately comparable to more similarly powered and accessible Megane GT, Astra GTC and Scirocco.

Unique among current cars — and similar to the outgoing Mini Clubman — the Veloster is perhaps best known for its unconventional door arrangement. With two doors on the right-hand passenger side, the Veloster offers more practical rear seat access than similar hatchback-coupes. Meanwhile, the left-hand driver’s “coupe” side it features a longer single door for a cleaner profile aesthetic and better over-shoulder visibility.

 

Rewarding revs

 

Powered by a turbocharged direct injection 1.6-litre 4-cylinder engine driving the front wheels through an optional 7-speed automated dual clutch gearbox, the Veloster Turbo develops 183BHP at 5500rpm and 195lb/ft throughout a broad, muscular and flexibly exploitable 1500-4500 band, as driven in Euro spec guise. US versions are, however, tuned to 201BHP but receive a 6-speed auto. 

With somewhat long accelerator travel and slight turbo lag from idling engine speed, the Veloster Turbo responds well to firmer throttle inputs of the line, pounces eagerly and through the 0-100km/h sprint in 8 seconds flat. Versatile in mid-range for confident overtaking, the Veloster Turbo’s gearbox delivers smoothly succinct auto or manual shifts — through steering mounted shifters — well compromised between comfort and speed.

Rewardingly brisk, the Veloster Turbo pulls confidently in its mid-range sweet spot, with a faint growl at heavy load. Unleashing peak power in a progressive build up, underwritten by a stout torque band, the Veloster Turbo likes to be worked hard through revs, rather than blasting through to high speeds too effortlessly that one can’t enjoy the accumulatively urgent experience.

 

Taut and tidy

 

Capable of a 214kph top speed, the Veloster Turbo pulls through revs with rising urgency and smoothly swift progression. Driven on Germany’s derestricted Autobahn to 160kph, the Veloster Turbo was reassuringly stable at speed. Firm yet smooth riding, the Veloster Turbo’s chassis feels distinctly more buttoned down, crisply connected and confidently taut than the garden variety Veloster.

Firm but not uncomfortable, the Veloster Turbo’s tauter front MacPherson Strut and rear torsion beam suspension and low profile 225/40R18 tyres provide poised body control through brisk and sweeping corners. Similarly vertical control is significantly improved, but slightly firmer damping — rather than springs — would further improve and make rebound control better tied down over sudden crests and dips. 

Much improved, the Veloster Turbo’s quick 2.78-turn electric-assisted steering is better weighted, more direct, responsive and with better feel and feedback. Tidy and crisp into corners, with a balanced chassis, the Veloster Turbo offers reassuringly good front and rear lateral grip through corners and even during heavy rain, as was often the prevailing condition during test drive.

 

Dual persona

 

Unconventionally designed with single driver’s side door and two passenger side doors for more practical rear seat access — especially right side — the Veloster’s longer driver’s door, with B-pillar set further back, enables better driver access, over-shoulder visibility and provides a sleek coupe profile. However, the rear driver’s side passenger seat feels somewhat claustrophobic, and would benefit from a quick flip release coupe-style driver’s seat as alternative access.

With supportive semi-electric adjustable sports seats, steering and good front visibility, the Veloster provides a good hunkered driving position. In terms of space, the front seats well accommodate larger drivers — especially without the optional sunroof. Meanwhile rear seats are practical and useable, but are not suited — nor intended — for large and tall passengers, especially given the rakishly low roofline and tailgate being hinged ahead of rear passengers’ heads.

 

Well-equipped with infotainment, convenience and safety systems, the Veloster Turbo’s controls and buttons are slightly busy but user-friendly and within easy reach. Dashboard design is complex and fashionable with sharp lines and uses a good amount of soft textures in prominent places. Meanwhile, boot space usefully accommodates 320 litres of volume, which expands to 1015 litres with rear seats folded.

TECHNICAL SPECIFICATIONS

 

Engine: 1.6-litre, turbocharged, transverse 4 cylinders

Bore x stroke: 77 x 85.4mm

Compression ratio: 9.5:1

Valve-train: 16-valve, DOHC, variable valve timing, direct injection

Gearbox: 7-speed automatic, dual-clutch automated, front-wheel drive

Power, BHP (PS) [kW]: 183.5 (186) [137] @5500rpm

Specific power: 115.3BHP/litre

Power-to-weight: 141BHP/tonne

Torque, lb/ft (Nm): 195 (265) @1500-4500rpm

Specific torque: 166.5Nm/litre

Torque-to-weight: 203.8Nm/tonne

0-100 km/h: 8-seconds

Top speed: 214km/h

Fuel economy, urban/extra-urban/combined: 9.4/5.8/7.1 litres/100km

CO2 emissions, combined; 165g/km

Fuel capacity: 50 litres

Length: 4250mm

Width: 1805mm

Height: 1405mm

Wheelbase: 2650mm

Track, F/R: 1561/1574mm

Overhang, F/R: 850/750mm

Ground clearance: 149mm

Headroom, F/R: 990/896mm

Legroom, F/R: 1115/805mm

Shoulder room, F/R: 1412/1371mm

Hip room, F/R: 1351/1336mm

Boot volume, min/max: 320/1015 litres

Aerodynamic drag co-efficient: 0.32

Unladen weight, min-max: 1300-1360kg

Suspension: MacPherson struts/torsion beam

Steering: Electric assisted, rack & pinion

Turning circle: 10.4 metres

Lock-to-lock: 2.78 turns

Brakes, F/R: Ventilated discs, 280mm/discs, 262mm

 

Tyres: 225/40R18

Ford Mustang gallops to victory with MECOTY award

By - Nov 02,2015 - Last updated at Nov 02,2015

Ford Mustang — winner of the Middle East Car of the Year & Best Sports Coupe award for 2015 (Photo courtesy of Ford)

DUBAI — Crowned the region’s top car at the Middle East Car of the Year ceremony, the Ford Mustang becomes the second car to claim this prestigious award. Voted through a long, arduous and thorough nomination and 10 criteria scoring process the Mustang prevailed as the jury’s overall top choice at the second annual MECOTY awards, in hotly contested process against the best that the motoring industry has to offer in the region.

The region’s only independent and most credible and authentic motoring award, the MECOTY awards distinguished from single publication awards in that they draw on a broader pool of expertise and wider scope of opinion, as provided by a 12-member jury panel representing an even larger number of print, online and TV media. Composed of established motoring journalists and specialists of different nationalities, the Jury panel represents media based in the UAE, Jordan, Lebanon, Saudi Arabia, Bahrain, Kuwait and Qatar.

Based on juror test drive evaluations throughout the year MECOTY features 18 different nominated categories, and a top overall Middle East Car of the Year recognition, awarded on initial category voting and two further rounds of voting. Meanwhile, the jury awards are complemented by a vox pop Public Car of the Year Award, given based on online voting, and claimed by the Kia Sorento SUV this year.

Debuting last year and organised by Custom Events LLC, the 2015 MECOTY awards ceremony was held at the Raffles Hotel in Dubai, on October 29 this year some two weeks ahead of the Dubai Motor Show.

The 2016 MECOTY awards will be held in April to coincide with the Abu Dhabi Motor Show and other motoring events organised by Custom Events.

Closely contested, the MECOTY ceremony was an evening of ups and downs for manufacturers, and included some anticipated category winners and some unexpected victories. Among the hotly tipped as strong top prize contenders, the Ford Mustang won the overall award with the Audi TT and jaguar XE coming in as runners-up, and all winners in their respective categories. Cementing a double win for Ford, the Focus ST proved its resilience in winning the best Performance hatchback category, while Mercedes-Benz claimed three category victories.

Closely competitive yet with different characters, the Infiniti Q70 took a difficult victory over the Audi A6 in the Midsize Executive Sedan segment, the Chevrolet Tahoe over the Ford Expedition in the Large SUV segment and the Ferrari 488 GTB against the sensational Lamborghini 610-4 Huracan among Supercars. Notable upsets included the thoroughly well-rounded and versatile Land Rover Discovery Sport and the innovative aluminium body and ever-popular Ford F150 both missing victories in their respective categories.

 

Middle East Car of the Year & Best Sports Coupe: Ford Mustang

 

Launched regionally in spectacular fashion with a Burj Khalifa-top reveal, the sixth generation Ford Mustang is theatrically visceral in charisma and design, with potent and assertive lines, curves and details. Capturing its classic muscle car heritage, the new Mustang strays away from mere retro design to a more contemporary reinterpretation, and perfectly incorporates Ford’s current design face. Appealing to both heart and head, the new Mustang is the first with independent — rather than live axle — rear suspension and reaps handling, refinement and comfort rewards. Affordable and iconic it features three engine options, including entry-level V6, brutishly rumbling V8 and muscular yet efficient 2.3-litre turbocharged four-cylinder.

 

Best Premium Sports Coupe & Middle East Car of the Year runner-up: Audi TT

 

Leaner, meaner and better than ever, the latest Audi TT won the Best Premium Sports Coupe Award against the BMW 2-Series Coupe and came in runner-up for the overall Middle East Car of the Year award. Stylish, compact and built on Audi’s latest compact platform utilising more lightweight materials and powerfully efficient turbocharged engines, the TT is refined, quick, sure-footed and nimbly agile. Available with front- or Quattro four-wheel drive, it also features Audi’s virtual cockpit instrumentation and infotainment system.

Best Performance Hatchback: Ford Focus ST

 

Revamped for 2015 with revised suspension rates, interior, and fascia, the Ford Focus ST’s visceral appeal, sublime chassis and accessible pricing proved too much even for the mighty and thoroughly impressive, classy, grippy and 276BHP four-wheel drive Volkswagen Golf R. An enduring motoring enthusiast favourite with old school hot hatch thrills, the brutishly punchy all-conquering 252BHP Focus ST showcases Ford’s front-drive chassis fine-tuning expertise, and is blessed with engagingly intuitive and eager handling, communicative steering feel and authentic unpretentious charisma. 

 

Best Midsize Executive Sedan: Infiniti Q70

 

 

Based on a now long-serving platform, offered with two engine options regionally and facing off against an all-new, thoroughly high tech and extensively varied Audi A6 line-up, the Infiniti Q70’s category win was the evening’s first upset. Its victory is, however, deserved testament to Infiniti’s knack for combining sporty handling with smooth ride comfort. With rear-drive balance and Infiniti’s eager, linear and much-acclaimed high-revving 329BHP V6 engine, the Q70 delivers a sharply engaging driving experience with superb throttle control and keen pricing.

List of MECOTY awards

 

Middle East Car of the Year (jury award): Ford Mustang

Runner-ups: Audi TT, Jaguar XE

Best Midsize Sedan: Hyundai Sonata

Other nominee: Honda Accord

Best Compact Executive Sedan: Jaguar XE

Other nominee: Mercedes-Benz C-Class

Best Compact Executive Coupe: BMW 4-Series Coupe

Other nominees: Cadillac ATS Coupe, Lexus RC350

Best Compact Executive Performance: Mercedes-Benz CLA45 AMG

Other nominee: Audi S3 Sedan

Best Midsize Executive Sedan: Infiniti Q70

Other nominee: Audi A6

Best Large Luxury Sedan: Bentley Mulsanne Speed

Other nominee: Mercedes-Benz S-Class Maybach

Best Compact Utility Vehicle: Nissan Juke

Other nominee: Renault Captur

Best Compact SUV: Honda CRV

Other nominees: Kia Sorento, Nissan X-Trail, Jeep Renegade

Best Compact Premium SUV: Lexus NX200 Turbo

Other nominees: Land Rover Discovery Sport, Mercedes-Benz GLA-Class, BMW X4

Best Large SUV: Chevrolet Tahoe

Other nominees: Ford Expedition, GMC Yukon

Best Premium Performance SUV: Land Rover Range Rover Sport SVR

Other nominees: BMW X6 M, Porsche Cayenne Turbo

Best Truck: GMC Sierra

Other nominees: Ford F150, Chevrolet Silverado

Best Performance Hatchback: Ford Focus ST

Other nominees: Volkswagen Golf R, Hyundai Veloster Turbo, Renault Clio RS

Best Sports Coupe: Ford Mustang

Other nominee: Dodge Challenger

Best Premium Sports Coupe: Audi TT

Other nominee: BMW 2-Series

Best Premium Performance Coupe: Mercedes-Benz AMG GT-S

Other nominees: Jaguar F-Type R, Porsche 911 GT3 RS

Best Grand Tourer: Mercedes-Benz S-Class Coupe

Other nominees: Bentley Continental GT W12, Aston Martin Vanquish

Best Supercar: Ferrari 488 GTB

Other nominee: Lamborghini LP610-4 Huracan

 

Public Car of the Year: Kia Sorento

‘Where faith and fun intersect’

By - Nov 01,2015 - Last updated at Nov 02,2015

Leisurely Islam: Negotiating geography and morality in Shi’ite South Beirut

Deeb, Lara and Mona Harb

Princeton and Oxford: Princeton University Press, 2013

Pp. 286

Many people, Lebanese or otherwise, have a rather uniform image of Dahiya (south Beirut), as being poor, socially conservative, drab and even scary. In contrast, what Lara Deeb and Mona Harb discovered in researching the area’s new café culture was an amazing diversity. “New forms of moral leisure in Dahiya highlight the area as a casually lived urban space as opposed to its all-too-common sensationalised image as a ‘Hizbullah stronghold’.” (p. 27) 

This is not to imply that Hizbullah is at odds with the new trend. In fact, the party has diversified its cultural activities, and entrepreneurs closely linked to it are involved in some of the new leisure sites.

Deeb and Harb are keen observers, interpreting what might seem to be random details from the decor of cafés, restaurants and amusement parks, to the clientele’s attire and choice of time, place, companions and seating arrangements, into a coherent whole. 

Adding to their onsite observations, they analyse relevant passages of Lebanon’s recent history, providing background for the heart of their research: extensive interviews with café staff and their clientele, well as politicians, entrepreneurs and jurisprudents. Approaching the subject from these three angles, they paint a fascinating picture of a community, a neighbourhood, a vibrant youth culture, two generations of Dahiya residents and their relationship with the city and its other communities. 

Their focus is to examine how new public leisure spaces relate to ideas about morality, geography and status. In their view, Dahiya’s new cafés “allow pious youths to spatially appropriate the city, and move away from family, religious, and political authorities, opening up interesting venues for change”. (p. 207)

Just as perceptions of Dahiya reflect the particularly Lebanese intertwining of sect, politics, geography and class, so the growth of the entertainment sector there is a result of similar factors. The 2000 liberation of South Lebanon from Israeli occupation was a seminal event for the Shiite community in particular, fuelling “both people’s desires and market possibilities for leisure”. (p. 61)

Especially the youth of an expanding middle class felt it was now okay to go out and have fun. At the same time, with the hope of peace, expatriate Lebanese Shiites returned ready to invest, and some chose to open cafés. Subsequent political polarisation across Lebanon, however, soon created new political/sectarian boundaries, and made many in Dahiya tend to stay close to home. The emerging local leisure sites made people feel safe and comfortable that their moral values would be respected, particularly the prohibition of alcohol. 

Though the authors focus on the local causes of the emergence of Dahiya’s entertainment sector, they also note that it parallels “the growth of a broader transnational Muslim consumer market where faith and fun intersect”. (p. 62)

Still, comparison of Dahiya’s new café culture with a similar phenomenon in Egypt, Iran and Turkey, reveals much about leisure in south Beirut to be very specifically Lebanese. 

While the prohibition on alcohol was a red line for the great majority, the authors found that their interlocutors among the younger generation were quite flexible on many other issues, especially when compared to the previous generation (those over thirty) who had built the Shiite movement in Lebanon and endured decades of war and instability. Deeb and Harb attribute the flexibility of youth to the “complex moral landscape” in which they live, and “the existence of multiple religious authorities, a fraught sectarian political context, class mobility, and a generation that takes religion for granted but wants to have fun”. (p. 10)

They are frequently confronted by social and moral dilemmas, such as what to do upon meeting Christian friends from work or university who suggest a café where alcohol is served. The dilemma can also be closer to home: Do you attend the wedding of a relative if you know alcohol is going to be served, or there will be dancing or singing you consider inappropriate? In explaining the flexibility of youth and their acceptance of others’ difference, the authors highlight the great popularity of the late Sayyid Muhammad Hussein Fadallah, who emphasised individual choice and responsibility more than the other jurisprudents to whom Shiites in Lebanon refer for guidance. 

While many from Dahiya go often to other parts of Beirut for study, work or fun, some now maintain that “one can have everything without leaving south Beirut”, an idea that “is relatively new and highlights Dahiya’s transformation from a marginalised suburb to a vibrant urban area with its own leisure sector”. (p 180)

The authors even suggest that “the most interesting urban changes in the capital today are not located in its classic centres of downtown or Ras Beirut but rather in its new centres, established through political violence, wars, and displacements, and once stigmatised as peripheries.” (p. 207)

 

 

Dubai Design Week reveals creativity

By - Nov 01,2015 - Last updated at Nov 01,2015

Installations on display at the Dubai Design Week that closed on Saturday at the Dubai Design District (Photo by Ica Wahbeh)

DUBAI — The city where big spawns bigger, where to stay ahead, be relevant and competitive one has to permanently reinvent oneself has been doing just that, taking the Downtown Design, in its third edition, one step further by hosting the Dubai Design Week between October 26 and 31.

The event, held for the first time in the Dubai Design District, shortly called by acronym-loving organisers d3, brought together international and regional designers and buyers, and gave the public the opportunity to discover products of some of the world’s contemporary talent.

The just-inaugurated d3, two years ago on the drawing board and now a gleaming collection of buildings in the same attractive architectural style that, according to literature promoting it, “is not just a business district; it is an intelligently curated space designed for people and businesses operating in the fields of design, fashion, art and luxury”, wishes to be a place where designers cater to contemporary business needs, an inclusive space “for the entire creative community, from global brands to start-ups, from established names to new talent”.

What better place to start, then, than the design week, a massive happening that showcased design from the Middle East and beyond, and held talk programmes, workshops and panel discussions?

The design week also served as an introduction to the design scene in the UAE, offering insight to those interested in either the local or global design scene while addressing local concerns and issues of international impact, such as the human-centred design movement, the purpose and value of “design weeks” worldwide and the development of the design industry.

Established by Art Dubai Group in partnership with Dubai Design District, Dubai Design Week was also supported by Dubai Design and Fashion Council and Dubai Culture and Arts Authority. The intention was to place Dubai on the map as a design hub, “shining the international spotlight on the city and its exciting design talent”, according to organisers.

“In addition, in the spirit of collaboration and mirroring the city’s global outlook, the week also offers a platform for regional and international designers and brands... encompasses culture, education and entertainment, spanning multiple disciplines of design, from graphic and product design to architecture and industrial design.”

Over 120 designers from 35 countries took part in the design week, alongside “some of the world’s most influential industry figureheads, representatives from global academic institutions” and creative individuals from across the Middle East.

The aim: “To make a statement as bold and attention-grabbing as the spirit of the city itself, while encouraging the world to look beyond the expected and discover the balance of imagination and innovation that drives Dubai forward.”

There certainly was no shortage of imagination.

A tour of Abwab, a series of six pavilions built to showcase the work of designers, studios and curators from six different countries in the MENASA (Middle East North Africa and South Asia) region, was evidence of not only unbounded imagination, but also of activism, preoccupation with human condition and desire to maintain and recreate past values.

The Jordanian pavilion hosted the “Swing project”, an installation examining the “power of transformation through imagination”.

Appealing to the child in every human being, three architects, of which two are also visual artists, chose as subject the swing (murjeiha in Arabic), according to one of the artists, Dina Haddadin, “an intuitive game that has not need to explain”, that is interactive, lets the imagination free and defies gravity. Like in “empty canvas where you let your imagination free vs the heaviness of reality”, says Haddadin.

The seats, “representing the solid and grounded element with solid ideals and heritage from the Jordanian and Palestinian geology” are made of stone that bears the name of the cities and villages of their source: Ajloun, Karak, Halabat, Qabatia, Taffouh.

Swinging under milky fabric that represents “the more volatile and airy element that accompanies the dreaminess of imagination” and that contrasts with the heaviness

of the stone seat, the swings produce each a different sound, “like a symphony”, adding to the element of play and stimulating more senses.

Kuwait, Pakistan, Saudi Arabia, Tunisia and the United Arab Emirates were also present with interesting, thought-provoking installations that tackle, in the Saudi case, gender roles and the equestrian tradition through the use of saddles as seating pieces — creation of Aya Al Bitar — or, again appealing to the child in us, cleverly using the “Game of nine”, or “Mother of nine” (Um tse’), listed as one of the 10 most important games in history, played as far as 1400 BC, to emphasise texture, the Saudi culture and the

real interaction while playing, now replaced by “joysticks and no real grasp or bond with the objects used to play the game”.

“Brilliant Beirut”, curated and designed by Rana Salam, illustrates how the city, “with its melange of cultures, has produced world-

renowned designers and remains at the forefront of the design industry in the Arab world”.

The exhibition documents the development of design in the Lebanese capital over the past seven decades, since the country’s independence in 1943, pinpointing

key designers and monuments, and “great achievements that built the city’s reputation for its progressive design scene”, while shedding chronological light on the milestones of the city’s design history.

In the “Global grad show”, 10 universities present “the next generation of innovation”, featuring the work of 50 young international designers and teams, “each selected for their creative approach to problem solving and their potential to make a lasting improvement to human society across six themes: construction, home, health, memory, play and work”.

It was an impressive display of imagination and desire to make the planet a better place, which gives one hope for the future.

Placed in strategic locations throughout the city, 13 installations by local and international designers intended to challenge conventions or demonstrate a strong sense of belonging, exploring regional decorative traditions, technological possibility and human environment.

More than 100 events took place all over the city involving individual designers, studios, artists, architects, educational and cultural institutions, retail stores, iconic brands, trade professionals, authors and thinkers.

The Dubai Design Week was held under the patronage of Her Highness Sheikha Latifa Bint Mohammed Bin Rashid Al Maktoum, vice chairman of the Dubai Culture and Arts Authority.

Want a younger-looking brain? Eat fish, stay away from meat

By - Oct 31,2015 - Last updated at Oct 31,2015

Photo courtesy of wordpress.com

Following a Mediterranean diet high in fish and low in meat may slow down the signs of ageing in your brain, according to a new study.

Researchers found that among 684 elderly people with an average age of 80, those who stuck more closely to a Mediterranean diet that includes lots of vegetables, legumes, cereals, fish and monounsaturated fats such as olive oil, had larger brain volumes than those who did not.

When the study participants were divided into two groups — those who adhered more closely to a Mediterranean diet, and those who did not — the difference in average brain size was 13.11 millilitres, or the equivalent to five years of ageing, the authors reported.

“In general, people’s brains tend to shrink with age and this can be associated with cognitive impairment and Alzheimer’s disease,” said Yian Gu, an epidemiologist at Columbia University and the lead author of the paper.

“Our study found that the more you adhere to the Mediterranean diet, the more protection you get for your brain,” she said.

The findings were published in the journal Neurology.

This study follows one by the same group that found adherence to a Mediterranean diet is also associated with reduced risk of Alzheimer’s disease.

Other research has shown that following the Mediterranean diet, which also includes less intake of meat, dairy and saturated fats, is associated with reduced risk of breast cancer and can halve the risk of heart disease.

In the most recent study, Gu and her colleagues were specifically interested in looking at the brains of healthy people who had not been diagnosed with dementia. The research team collected information on the multiethnic participants’ diets, and also asked them to undergo an MRI scan. All participants hailed from northern Manhattan.

The health benefits of the Mediterranean diet are increasingly well known, but researchers are still not certain why the diet is so advantageous.

“It has been suggested that multiple mechanisms are involved,” Gu said. “This assortment of foods have different nutrients that can have different biological effects in the body.”

She added that though her study shows a strong association between following a Mediterranean diet and brain health, she cannot yet issue an official recommendation.

The study was cross-sectional, meaning it allowed her team to compare two groups of people in a single moment in time. In the future, she said, she would like to see a longitudinal study that follows people over time.

 

“We don’t know why the brain atrophies in older age, but if we can find some factors that are not genetic, that people can change in their own lives to protect themselves and prevent disease, that would be a very important message,” she said.

Pages

Pages



Newsletter

Get top stories and blog posts emailed to you each day.

PDF