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Finding truth in fiction

By - Apr 26,2020 - Last updated at Apr 26,2020

Summertime: Scenes from Provincial Life

J. M. Coetzee

London: Vintage, 2010

Pp. 266

 

J. M. Coetzee, famed South African — now Australian — writer, who won the 2003 Nobel Prize for literature, has published three fictionalised memoirs, sometimes termed autobiographical novels. Following “Boyhood” (1997) and “Youth” (2002), this is the third. In “Summertime”, he chooses a most unusual approach. Presupposing himself dead, he has a hypothetical researcher interview five people who knew him in the 1970s, when he was newly returned from the US, having attained a graduate degree and taught at universities there. This is the period just prior to the publication of his first novel, “Dusklands” (1977), which set him on the path to international recognition.

The first page of the book blazes with an account of extrajudicial killings perpetrated by the South African regime in neighbouring Botswana, disguised as black-on-black violence. Such accounts are prevalent in much of Coetzee’s writing, showing his distain for the apartheid regime and its senseless violence: “So they come out, week after week, these tales from the borderlands, murders followed by bland denials. He reads the reports and feels soiled…” (p 4)

The above quote is from notebooks dated 1972-75, presumably in preparation for a book Coetzee intended to write before he “died” and now used as a reference by his would-be biographer. They set the scene: Coetzee is living with his father in their deteriorating old home in the white suburbs of Cape Town, close to the notorious Pollsmoor prison where Nelson Mandela and other political prisoners were once incarcerated. Coetzee has begun the Sisyphus-like task of repairing the house, based on his belief that people should do their own manual labour. He even asks himself why he persists in “inscribing marks on paper, in the faint hope that people not yet born will take the trouble to decipher them”. (p. 7)

This self-questioning is typical for the self-effacing image of himself that Coetzee projects via the interviews. The first is with Julia, a psychiatrist who had an affair with him and dismisses him as a loner, socially inept and repressed, though she seems most interested in talking about herself. The next interview is with his cousin Margot, written up as a narrative about a Christmas holiday gathering at the expansive, remote family farm. Again, the author appears as an outsider, this time in relation to the Coetzee clan: “John’s presence on the farm is a source of unease. After years spent overseas… he has suddenly reappeared among them under some cloud or other, some disgrace. One story being whispered about is that he has been in an American jail”. (p. 89)

Strangely, no one asks John about this, so they continue to think it was some kind of criminality, rather than the protest against the Vietnam War in which he was involved. This section reveals the narrow, provinciality of the Afrikaners rural community, even those who live a more sophisticated life. It also shows that the old order is unravelling: White farmers can no longer make a living from the land; race relations are changing. Coetzee’s love of the land and nostalgia are also revealed as he shares childhood memories with Margot “of those Christmastides of yore… when they were children roaming the veld as free as wild animals”. (p. 108)

Questions of identity come to the fore in a different way in the third interview, with Adriana, a Brazilian ballet dancer who has landed in South Africa with her two daughters and been widowed, due to a combination of circumstances. Since John is dead, he cannot defend himself from her accusations that as an Afrikaner he is not qualified to teach her daughters English, and that he had sexual designs on her and her daughter. She dismisses him as a nothing, despite knowing he later became a famous writer.

The fourth and fifth interviews paint a different picture, though confirming Coetzee’s outsider status. His former colleagues at the University of Cape Town, South African Martin and Sophie, a French woman, share his abhorrence of apartheid and affirm his seriousness as an intellectual and teacher. Sophie in particular offers insight into John’s utopian thinking, his abhorrence of politics and his principled opposition to injustice, violence and other forms of cruelty, while holding out the tantalising tidbit that she had a “liaison” with him, but refusing to go into details.

There is much the reader does not know. Are the interviewees based on real people? Is the writing of this fictionalised memoir an act of soul searching on Coetzee’s part, or is he sometimes playing, poking fun at himself and others? Or both. But it doesn’t really matter. The book is fascinating as it swings back and forth between serious moral considerations and wry humour. Coetzee paints a complex, nuanced picture of South Africa at the time, rich in insight and irony. The composite picture of the author that emerges from the interviews is of a conflicted man of great integrity who eschews superficiality and pretence. He writes from the periphery of the white experience, not presuming to speak for the African majority. One aspect that surely reflects truth is his agonising over how to care for his ailing father, with whom he shares little, but to whom feels a sense of duty—a truly universal predicament. “Summertime” is available at the University Bookshop.

WHO warns you may catch coronavirus more than once

By - Apr 26,2020 - Last updated at Apr 26,2020

Tedros Adhanom Ghebreyesus, director-general of the World Health Organisation speaks at a press conference (AFP photo)

Catching COVID-19 once may not protect you from getting it again, according to the World Health Organisation, a finding that could jeopardise efforts to allow people to return to work after recovering from the virus.

“There is currently no evidence that people who have recovered from COVID-19 and have antibodies are protected from a second infection,” the United Nations agency said in a statement.

The WHO guidance came after some governments suggested that people who have antibodies to the coronavirus could be issued an “immunity passport” or “risk-free certificate” that would allow them to travel or return to work, based on the assumption that they were safe from reinfection, according to the statement, issued Friday. People given such a certificate could ignore public-health guidance, increasing the risk of the disease spreading further.

Chile was the first country to announce plans to issue immunity cards based partly on antibody tests. This has raised concerns because the tests have proven unreliable elsewhere, and some people may get deliberately ill in order to obtain the card. The US and others have nonetheless said they’re looking into the option.

While there’s a consensus that the key to ending the coronavirus pandemic is establishing co-called herd immunity, there are many unknowns. One is whether researchers can develop a safe and effective vaccine. Another is how long people who’ve recovered have immunity; reinfection after months or years is common with other human coronaviruses. Finally, it’s not clear what percentage of people must be immune to protect the “herd.” That depends on the contagiousness of the virus.

The WHO said it’s reviewing the scientific evidence on antibody responses to coronavirus, but as yet no study has evaluated whether the presence of antibodies “confers immunity to subsequent infection by this virus in humans.” And while many countries are currently testing for antibodies, these studies aren’t designed to determine whether people recovered from the disease acquire immunity, the agency said.

As the hunt for a vaccine continues around the world, the WHO has formed an international alliance to ensure that treatments are distributed fairly. French President Emmanuel Macron, European Commission President Ursula von der Leyen and the Bill and Melinda Gates Foundation are involved in the alliance. 

By Patrick Henry

Facebook takes aim at Zoom with video chat upgrade

Apr 25,2020 - Last updated at Apr 25,2020

Photo courtesy of wordpress.com

SAN FRANCISCO — Facebook on Friday unveiled a new video chat service with virtual "rooms" where people can pop in to visit friends, aiming at users turning to the popular Zoom platform during the pandemic.

Through the Facebook Messenger application, users will be able to start video call sessions that as many as 50 friends can join and linger in as long as they wish, even if they don't have Facebook accounts.

Unlike work video conferencing platforms such as Zoom, "Messenger Rooms" is tailored for socializing with friends and family whether it be birthdays, happy hours, book clubs or parent groups.

"This is designed to be more serendipitous and spontaneous," chief executive Mark Zuckerberg said while briefing AFP on Rooms.

"I just keep a window open on my computer or phone and people who I normally wouldn't go out of my way to call just sort of drop by."

"I feel like we are missing that in our lives right now," he added.

The launch comes amid surging use of Zoom, which was designed as a business video platform, and other online chat services.

Facebook users will be able to create virtual rooms and decide who to invite to join, according to Zuckerberg.

"I could be hanging out on a couch on the weekend and send out an invite to all my friends to come to a 'hanging-out-on-the-couch room,'" Zuckerberg said.

Fun features include augmented-reality effects such as bunny ears and aliens, along with immersive fake backgrounds.

 

Everyone invited

 

In an unusual step, people don't need Facebook accounts or apps to visit Messenger Rooms.

"People can just send a link to their grandmother or whomever," Zuckerberg said.

"You can tap on the link from anywhere and if you don't have the app it will open in your browser."

Facebook said it built in defences to prevent unwanted guests from entering virtual rooms.

"There are tools to kick people out easily; lock rooms, or close them if things are going badly," Zuckerberg said.

In the background, Facebook will make a priority of getting word of rooms to friends users show interest in engaging.

Facebook does not view or listen to calls, and people who create rooms control who gets in, according to Messenger vice president Stan Chudnovsky.

Messenger Rooms was expected to be available to Facebook's nearly 2.5 billion users around the work in coming weeks.

Use of video calls and conferencing has rocketed as people work, learn, and socialize remotely while staying home to avoid the coronavirus.

Many people have turned to Zoom, which has scrambled to stem security problems such as data hacking and harassment by individuals who crash sessions in what is referred to as "Zoombombing."

Video "presence" services from Facebook, Google, Microsoft and other technology firms have been ramping up capabilities and features to be the preferred platform.

"Through this period people are relying on social and communication services more than ever," Zuckerberg said.

 

WhatsApp upgrade

 

Facebook plans to add ways to create "rooms" from its Instagram and WhatsApp messaging platforms as well as using its Portal smart screens.

Facebook is also doubling the number of people who can simultaneously take part in WhatsApp video calls to eight.

Increasing video chat group size at WhatsApp is more technically challenging because calls are encrypted end-to-end, according to Zuckerberg.

In a more intimate direction, Facebook's dating service will add an option to invite people on virtual dates using Messenger video chat.

Facebook also expanded live streaming features at the social network and Instagram as people increasingly go online for cooking lessons, religious services, exercise classes, and more.

The social network is adding a way for host of live online events to allow performers to charge admission fees.

"Our hope is that by making it so you can charge a fee it will help support creators and services that rely on in-person appearances," Zuckerberg said.

By Glenn Chapman

Digital video game spending hits record high under virus lockdown

By - Apr 24,2020 - Last updated at Apr 24,2020

AFP photo

SAN FRANCISCO — Spending on digital video games hit a record high $10 billion in March as people stuck at home under coronavirus lockdowns turned to gaming, market tracker SuperData reported on Thursday.

Money spent on major console games leapt to $1.5 billion in March from $883 million in February, while spending on games played on high-performance personal computers climbed 56 per cent to $567 million in the same comparison.

Console and PC games tend to be popular in Europe and North America where restrictions on going out were ramped up in March due to the pandemic.

"Individuals are turning to games as a reliable entertainment option during the COVID-19 crisis and are using online multiplayer to keep in touch with others," SuperData said in a blog post.

Overall revenue from digital video games for the month was up 11 per cent year-on-year, according to the industry tracker.

Nintendo sold five million copies of its family friendly "Animal Crossing: New Horizons" in March, setting a sales record for the most units of a digital console game sold in a single month, SuperData said.

The closing of real-world stores due to the pandemic was cited as a factor in gamers purchasing more titles as digital downloads.

Spending rose 15 per cent on mobile games, a lot of them played on smartphones, reaching $5.7 billion in March, SuperData reported.

Among other leading titles, "Pokemon Go" saw revenue for the mobile game grow 18 per cent in March after maker Niantic modified features to make it easier to play without needing to be out and about, according to SuperData.

New-generation Xbox and PlayStation consoles along with games tailored for the hardware are expected to launch by the end of this year.

Microsoft has unveiled a name and look for its new gaming console, the Xbox Series X.

Meanwhile, Sony is readying a powerful PlayStation 5 for market.

Consoles face a potential threat from the advent of cloud gaming, however.

Google early this month made its Stadia online video game service free to provide an escape for those hunkered down at home because of the coronavirus pandemic.

Launched late last year, Stadia is crafted to let people access console-quality games as easily as they do email on an array of internet-linked devices.

"Keeping social distance is vital, but staying home for long periods can be difficult and feel isolating," Stadia vide president Phil Harrison said in an online post.

"Video games can be a valuable way to socialise with friends and family when you're stuck at home."

Google is offering free access to Stadia for two months.

Computer businesses back to work

By - Apr 23,2020 - Last updated at Apr 23,2020

Photo courtesy of mun.ca

In the announcement made last Monday by the Minister of State for Media Affairs Amjad Adaileh, computer shops and retailers were among the businesses allowed to reopen and resume work, albeit within the framework of pre-defined protocols. This is interesting and quite significant.

I called one of known computer retailers in Amman just to check the news. They confirmed that indeed they were working from 10am to 5pm and that they were ready to serve their clients, to supply computers, peripherals, consumables and accessories, and that they can repair hardware like they used to do before.

Perhaps just after food and medicine, information technology – and all that it entails – has proven, beyond any doubt, that it is the one important element that is helping government and the population to keep things together, to prevent the situation from deteriorating further and to let us communicate and operate from home, for private matters or for business.

From videoconferencing to new software applications and updated websites, like stayhome.jo to name only this site, computers and information technology is here for us. It seems like very soon we will also have to read our electricity counters with a new mobile app, without the physical intervention of the electric company agents, and then to settle the bill electronically – a payment method that has been in place for a while now, thanks to eFawateercom.

Just imagine what the situation would have been 10 or 15 years ago, if we had been locked down the way we are now, but with the older, slower Internet and without all these applications, without easy video calls… ! I’d rather not think about such a scenario.

Now having computer shops and retailers back to work is very important, for many a reason.

If downloading software, installing apps, updating them and checking new or updated websites can be done using your existing computers or mobile devices, what would you do if and when one of these devices fails? What do you do if you need to buy an additional laptop or tablet for a member of the family or for a student to use – a situation many people have encountered during this lockdown? What do you do if you need a new webcam, to replace a failing WiFi interface or an out-of-order main hard disk drive? Or just a cable that is key to operating your setup… Surely these cannot be “downloaded”.

More than just repairing, replacing or adding hardware, the confinement situation and the increased dependency on IT have made people realise that they need the fastest equipment they can get. Suddenly what used to be ok three months ago is just not enough today.

Faster processors, faster Internet, better cameras and microphones, and larger screens are in high demand now. Perhaps the only element that we do not need any more to buy physically or to increase locally is disk space – data storage in other words. Indeed, the profusion of cloud storage space is a welcome evolution of IT technology. From Dropbox to OneDrive, Google Drive and several other such online services, it is now easy, simple and often inexpensive, to get data storage online.

It is safe to bet that computer shops and retailers are going to be very busy in the coming days and weeks.

 

Netflix sees record sign-ups during pandemic lockdowns

By - Apr 22,2020 - Last updated at Apr 22,2020

Photo courtesy of wordpress.com

SAN FRANCISCO — Netflix on Tuesday reported soaring profits as subscriptions surged by almost 16 million at the streaming television service during lockdowns to slow the spread of the coronavirus pandemic.

"After record subscriber additions, Netflix is and will continue to be the media company least impacted by COVID-19," said eMarketer forecasting analyst Eric Haggstrom.

"Their business is a near perfect fit to a population that is suddenly housebound."

Netflix made a profit of $709 million on revenue of $5.8 billion in the first three months of this year, while the number of paid subscribers grew by 15.7 million from the previous quarter to total nearly 183 million, according to earnings figures.

Strict confinement rules are keeping billions of people at home in a bid to curtail the outbreak, effectively providing an enormous captive audience to entertainment giants competing in the streaming market.

"We're acutely aware that we are fortunate to have a service that is even more meaningful to people confined at home, and which we can operate remotely with minimal disruption in the short to medium term," Netflix executives said in a letter to investors.

"Like other home entertainment services, we're seeing temporarily higher viewing and increased membership growth."

Netflix expects viewing and membership growth to decline as coronavirus concerns abate and people can move about more freely.

The streaming firm expects a net increase of 7.5 million paid subscriptions in the current quarter to June but said: "Given the uncertainty on home confinement timing, this is mostly guesswork."

 

Turbulent times

 

The California-based company said that the long-term effects of job losses due to the coronavirus crisis on Netflix's revenue remain unclear. The US alone has lost 22 million jobs since mid-March.

"In our 20+ year history, we have never seen a future more uncertain or unsettling," Netflix executives said.

The company's shares danced fractionally around their closing price in after-market trades that followed the release of the earnings report.

While the coronavirus crisis revved up membership growth, it has also strengthened the US dollar, offsetting revenue gains.

"Netflix faces some headwinds moving forward from a poor economic environment," Haggstrom said.

"But a significant chunk of consumer entertainment budgets have been opened up from the closures of movie theatres, sporting events, restaurants and bars."

 

Sidelined shows

 

Another effect has been the shutdown of show production that has postponed expenses.

"We've paused most of our productions across the world in response to government lockdowns and guidance from local public health officials," Netflix said.

"No one knows how long it will be until we can safely restart physical production in various countries, and, once we can, what international travel will be possible."

Streaming television service competitors are in the same situation, but Netflix has a library with thousands of titles and an array of show launches ready for release, its executives noted.

"Our member satisfaction may be less impacted than our peers' by a shortage of new content, but it will take time to tell," Netflix said.

The Walt Disney Company in early April said its television streaming service had already won 50 million paid subscribers just five months after its launch in the US.

Disney+ subsequently rolled out in India and eight western European countries as well.

"I have been so impressed with Disney+ execution; my hat is off to them," Netflix chief executive Reed Hastings said in an earnings presentation.

"Are we kicking up our kids and family animation? You bet. We are both going to do good work."

The major challenge for Netflix and other leading streaming subscription services, in particular Disney+, will be "not just attracting new subscribers after lockdown, but perhaps more importantly, retaining existing ones," said Futuresource analyst David Sidebottom.

By Glenn Chapman

WHO says coronavirus came from an animal and was not made in a lab

By - Apr 22,2020 - Last updated at Apr 22,2020

Resident wear masks to buy vegetables in the market on January 23 in Wuhan, China (AFP photo)

All the available evidence indicates coronavirus originated in animals in China late last year and was not manipulated or produced in a laboratory as has been alleged, the World Health Organisation said Tuesday in a news briefing in Geneva.

"It is probable, likely, that the virus is of animal origin," said WHO spokeswoman Fadela Chaib.

The global health body's remarks follow confirmation from President Donald Trump last week that his administration is probing whether coronavirus originated in a lab in the Chinese city of Wuhan, where the disease first emerged. There is no evidence it did.

Two theories about how coronavirus may have escaped the Wuhan Institute of Virology have circulated among right-wing bloggers and some conservative media pundits.

One theory suggests that the virus could be man-made and linked to a Chinese biowarfare program. But it's an idea that has been widely dismissed by scientists. A second scenario accepts the virus as naturally occurring, from a bat, say, but which accidentally escaped the research facility due to poor safety protocols.

Both theories are based on circumstantial evidence such as the Wuhan Institute of Virology's history of studying coronaviruses in bats, the lab's proximity to where some of the infections were first diagnosed and China's reported lax safety record in its labs.

In the briefing, Chaib said there remained some outstanding questions over how, precisely, coronavirus jumped the species barrier to humans, but she said that an intermediate animal host was the most likely explanation. She said coronavirus, known formally as COVID-19, "most probably has its ecological reservoir in bats."

The Trump administration has accused the WHO of a catalogue of errors over its response to the pandemic, including failing to adequately prepare for the outbreak, raising the alarm too slowly and naively accepting flawed information from China.

The WHO disputes all the allegations. Most public health experts don't agree with the Trump administration's specific criticisms of the WHO, although they acknowledge that the organisation needs reform and lacks transparency. The Washington Post reported over the weekend that American officials working with the WHO sent back information to the White House about the spread of the virus in the crucial early days of January. 

By Kim Hjelmgaard

Apple Music expands to 52 new countries in global services push

Apr 21,2020 - Last updated at Apr 21,2020

AFP photo by Josh Edelson

SAN FRANCISCO — Apple Music is being expanded to 52 additional countries and territories in a push to broaden service revenue streams for the iPhone maker, the company said Tuesday.

The move, part of the biggest expansion of Apple services in a decade, brings Apple Music to a total of 167 markets, including 25 new African countries added Tuesday.

Costs will range from as low as $3 to $11 monthly, with a six-month free trial period in the new countries.

The expansion ramps up the global presence of Apple Music, which has some 60 million subscribers, in its duel against market leader Spotify, which has more than 120 million paid users but is available in fewer markets around the world.

Apple at the same time announced an expansion to 20 new markets of its other services, including its App Store, the Apple Arcade gaming service, Apple Podcasts and iCloud.

With the rollout, Apple services will be available in 175 countries around the world.

Until now, Apple customers in parts of the world had access to some free apps and services for their devices without an opportunity for paid subscriptions.

Music and other services will be available with interfaces in at least 40 languages supported by Apple.

 

More services, fewer iPhones

 

The California tech giant has been shifting its focus away from the iPhone — the longtime revenue and profit leader for the company — to what is considered a steadier financial stream in digital content and services including music, digital payments and apps.

Amid a softer smartphone market, Apple's iPhone accounts for only around half of its revenues, while new services and accessories are showing gains.

"We're delighted to bring many of Apple's most beloved services to users in more countries than ever before," said Oliver Schusser, Apple's vice president for music and international content.

"We hope our customers can discover their new favourite apps, games, music and podcasts as we continue to celebrate the world's best creators, artists and developers."

Apple's iCloud and other services were being expanded to eight additional African countries, two in the Asia-Pacific region, five in Europe, two in the Middle East and three in Oceania.

Apple has been working for some time on the expansion, but the move comes as consumers around the world are facing lockdowns and spending more time on their devices.

Apple Music holds about 19 per cent of the global music streaming market, compared with 35 per cent for Spotify and 15 per cent for Amazon, according to Counterpoint Research.

The streaming music service has some 60 million songs and offers curated playlists along with a Beats 1 radio station.

Apple Podcasts has more than one million shows in over 100 languages. Apple's iCloud service is free but allows users to upgrade for extra storage.

The Arcade gaming service launched last year includes ad-free original titles designed for Apple devices.

Last week, Apple unveiled a new entry-level iPhone, aiming to appeal to consumers facing a suddenly bleak economic backdrop.

The updated iPhone SE will start at $399, or less than half the price of its flagship devices.

While the iPhone had been in the works for months, analysts said the launch appeared to be well-timed amid a pandemic-induced economic slump that has hammered the smartphone market and hit consumer sentiment.

By Julie Jammot

Humans to blame for spread of coronavirus and other 'zoonoses'

By - Apr 21,2020 - Last updated at Apr 21,2020

People wearing facemasks amid concerns over the Covid-19 coronavirus walk at a shopping mall in Beijing on Sunday (AFP photo)

PARIS — Whether it came from a bat or a pangolin is not certain, but one thing is: the coronavirus outbreak that has killed tens of thousands and turned the world upside down comes from the animal world.

It is human activity that enabled the virus to jump to people, and specialists are warning that if nothing changes many other pandemics of this nature will follow.

The name given to diseases transmitted from animals to humans is "zoonoses", based on the Greek words for "animal" and "sickness".

They are not new — tuberculosis, rabies, toxoplasmosis, malaria, to name just a few, are all zoonoses.

According to the UN Environment Programme (UNEP), 60 per cent of human infectious diseases originate from animals.

This figure climbs to 75 per cent for "emerging" diseases such as Ebola, HIV, avian flu, Zika, or SARS, another type of coronavirus. The list goes on.

"The emergence of zoonotic diseases is often associated with environmental changes or ecological disturbances, such as agricultural intensification and human settlement, or encroachments into forests and other habitats," said a 2016 UNEP report.

"Changes in the environment are usually the result of human activities, ranging from land use change to climate change."

Gwenael Vourc'h of INRAE, a French public research institute, also blames human activity for the crossover between species.

"Given the growth of the human population and its ever more intense use of planetary resources, the destruction of more and more ecosystems multiplies contacts," she says.

A key area of concern is deforestation to make way for agriculture and intensive livestock farming.

Domesticated animals are often a "bridge" between pathogens from the wild and humans. The widespread use of antibiotics in the livestock industry has also led to bacterial pathogens building up immunity to front-line drugs.

Urbanisation and habitat fragmentation are also highly disruptive of the balance between species, while global warming can push disease-carrying animals into new territory.

 

'Unprecedented in human history'

 

The novel coronavirus is believed to have emerged in a wet market in the central Chinese city of Wuhan late last year.

Scientists think it originated in bats and could have been passed on via another mammal like a pangolin, an endangered species whose meat and scales are highly prized in parts of Asia.

But researchers have yet to come up with a definitive answer on how it migrated to people.

The only sure thing is that human activity facilitated the jump.

"The process that leads a microbe, such as a virus, from a population of vertebrates such as bats to humans is complex, but driven by people," says Anne Larigauderie, executive secretary of IPBES, the panel of UN experts on biodiversity.

"People, through their actions, create opportunities for the microbes to come closer to human populations.

"The rate of global change in nature during the past 50 years is unprecedented in human history, and the most important direct driver of change in nature is land use change."

Beyond the current outbreak of coronavirus, IPBES estimates that zoonoses kill some 700,000 people a year.

A study by American researchers published last week and completed before the new coronavirus outbreak identifies rodents, primates and bats as hosts of three-quarters of viruses transmitted to humans.

But domestic animals also carry about 50 per cent of the zoonoses identified.

In terms of endangered wildlife, the study shows that those who share the most viruses with humans are precisely "populations declining due to exploitation and loss of habitat".

Christine Johnson, of the University of California veterinary school, who led the study, blames the human urge to "alter the landscape".

"This also increases the frequency and intensity of contact between humans and wildlife — creating the perfect conditions for virus spillover," she says.

 

'Global tragedy'

 

According to Larigauderie, this coronavirus outbreak may just be the tip of the iceberg.

"Increased trends in land use change, combined with increased trends in trade, and global travels, are expected to increase the frequency of pandemics in future," she says.

"Transformative change is needed in order to find a solution to this global tragedy."

Vourc'h is also calling for a systemic response.

"Beyond the essential response to each epidemic, we must think about our model... rethink our relationship with natural ecosystems and the services they provide," she says.

The 2016 UNEP report, which noted that "ecosystem integrity underlines human health and development", said effective strategies already exist to control most neglected zoonoses. The main constraint, however, appeared to be "lack of investment".

At 86, Jane Goodall has spent most of her life studying and defending animals, especially chimpanzees in Africa, especially from Tanzania. And she pulls no punches on where she lays the blame.

"It was predicted that this was going to happen and it's going to happen again until we learn the lessons," warns the British primatologist.

"It is our disregard for nature and our disrespect of the animals we should share the planet with that has caused this pandemic."

 

By Stéphane Orjollet

Ford Escort: Comfortable and convenient compact

By - Apr 20,2020 - Last updated at Apr 20,2020

Photos courtesy of Ford

Among the blue oval’s most iconic cars, the Ford Escort name has served multiple generations and even concurrent compact car lines during its long 1955-2003 tenure.

Especially resonant in the UK, where it was a perennial best seller before being replaced with the Focus model, the Escort nameplate was, however, resurrected as a Chinese market compact saloon in 2014.

It has more recently been introduced in the Middle East after a mid-life refresh, in which it gained a newer, more efficient engine of the same 1.5-litre capacity, but less one cylinder.

Loosely based on the same platform that served the second generation Focus saloon, the revived Escort bears a more modern design and carries the brand’s now trademark trapezoidal grille.

A focal feature of all contemporary Fords, the Escort, however, wears its big wide grille well, with a somewhat more understated manner that is becoming of its more rounded edges and gentler lines. Competing at the affordable end of the compact saloon segment popular in developing markets, the Escort stands out with its stylish yet restrained design that is classy yet subtly sporty.

 

Uncomplicated style

Vaguely reminiscent of a far more exotic Aston Martin in its low slung grille design flanked by wide spaced swept back headlights and flowing, uncomplicated lines and proportions, the Escort is, however, powered by a significantly smaller engine.

Introduced as of 2019, the face-lifted Escort trades in its four-cylinder engine for a naturally-aspirated version of Ford’s new 1.5-litre 3-cylinder engine, already in service in turbocharged form in the much lauded European market Fiesta. With improved performance and efficiency, it drives the front wheels through a 6-speed automatic gearbox in Middle East specification.

Refined and quiet operation and with good low-end torque response with well optimised balancer shafts and bore and stroke ratio, the Escort’s tiny three-pot engine gives no ground to and if fact out does many rival four-cylinder units.

Developing 118BHP at 6,500rpm and 110lb/ft torque at 4,500rpm, the Escort’s delivery is eager and progressive with a faint yet urgent thrum. Willing from tick-over through to rev limit, the Ford’s 3-cylinder offers good mid-range response but delivers its best towards its redline and can propel the 1.3-tonne Escort to a 183km/h top speed.

 

Eager and agile

Capable of accelerating through 0-100km/h in an estimated 11-seconds, or so, the Escort is not exactly a fast car but is reasonably quick and well able to keep up with traffic on Dubai roads, as tested recently. Its 6-speed gearbox helps best utilise its modest output for the best performance and efficiency results, including its low 6l/100km combined fuel consumption. Smooth and responsive through shifts, the Escort’s gearbox features a more aggressive ‘sport’ mode, but manual mode shifting would have been more intuitive if actuated through lever movement than a small button.  

As good as the automatic version available for the Middle East is, the Escort seems is the sort of small and eager handling car that would be more fun and rewarding with a manual gearbox, as optionally available for the Chinese market. That said, the Escort is nevertheless an entertaining and usefully agile car. With its small and light engine and keen if somewhat light steering, it tucks tidily and earnestly into corners with good response, grip and feel, and is ever willing to perform quick and successive direction changes.

 

Fluent and forgiving

Reassuring and agile through corners, albeit with slight body lean, the Escort is set-up with comfort in mind for imperfect roads in developing markets, yet as most Ford car of recent years, walks a very well-measured and convincing line between handling ability and ride comfort. Fluent and forgiving, even with the biggest alloy wheels and lowest profile 205/50R17 tyres, as driven on the range-topping Titanium spec model, the Escort glides over bumps and lumps with ease, and felt supple, poised and stable over a particularly harsh stretch of highway during test drive.

Refined from noise and harshness, the Escort is relaxed, easy to drive and convenient, with good manoeuvrability, sightlines and driving position. Offering good in-segment cabin and 470-litre luggage room, it easily accommodates larger passenger in front and adequately in the rear. Layouts are user-friendly and logical; while materials are mostly good quality for its class, probably better looking with a darker tone than the driven car’s grey leather upholstery. Reasonably well equipped for an affordable compact, the Escort notably featured ABS brakes, curtain airbags, Isofix child seat latches, rear parking aid, and an 8-inch, 6-speaker Bluetooth-enabled infotainment system.

 

Specifications

  • Engine: 1.5-litre, transverse 3-cylinders
  • Valve-train: 12-valve, DOHC
  • Gearbox: 6-speed automatic, front-wheel-drive
  • Power, BHP (PS) [kW]: 118 (120) [88] @6,500rpm
  • Specific power: 78.8BHP/litre
  • Power-to-weight: 89.4BHP/tonne
  • Torque, lb/ft (Nm): 110 (150) @4,500rpm
  • Specific torque: 100.2Nm/litre
  • Torque-to-weight: 113.6Nm/tonne
  • 0-100km/h: 11-seconds (estimate)
  • Top speed: 183km/h
  • Fuel consumption, combined: 6-litres/100km
  • Fuel capacity: 50-litres
  • Length: 4,587mm
  • Width: 1,825mm
  • Height: 1,490mm
  • Wheelbase: 2,687mm
  • Luggage volume: 470-litres
  • Kerb weight: 1,320kg (estimate)
  • Suspension, F/R: MacPherson struts / torsion beam
  • Steering: Electric-assisted rack & pinion
  • Brakes, F/R: Ventilated discs / discs
  • Tyres: 205/50R17

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