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Jimmy Kimmel to return as Oscars host

By - Nov 08,2022 - Last updated at Nov 08,2022

LOS ANGELES — Late-night comedian Jimmy Kimmel will host the Oscars for a third time, organisers said on Monday, as Hollywood’s biggest award show tries to leave behind the controversy still swirling around its most recent edition.

Kimmel is seen by the industry as a safe pair of hands for the 95th Academy Awards, after the last Oscars in March this year featured a shocking moment in which Will Smith slapped Chris Rock live on stage.

“Being invited to host the Oscars for a third time is either a great honor or a trap,” said Kimmel in a statement.

“Either way, I am grateful to the Academy for asking me so quickly after everyone good said ‘no’,” joked the host, best known for ABC’s long-running late-night show “Jimmy Kimmel Live!”

Kimmel previously hosted the Oscars in 2017 and 2018. On the first of those occasions, “La La Land” was accidentally announced as the best picture winner, before “Moonlight” was awarded the night’s final prize.

He also drew near-universal praise for his hosting of television’s Emmys in 2020, when organisers scrambled to produce a socially distanced show from a near-empty Los Angeles theater early in the pandemic.

Glenn Weiss and Ricky Kirshner, producers of the next Oscars, said Kimmel “will be funny and ready for anything!”

Academy CEO Bill Kramer and Academy President Janet Yang said Kimmel would be the “perfect host” for the ceremony, noting his “live TV expertise”.

ABC Entertainment president Craig Erwich said Kimmel “can handle anything with both heart and humor”.

Oscars television ratings have markedly declined in recent years — like nearly all award shows — although they rebounded to 16.6 million last year, from a record-low 9.9 million for the previous edition.

The moment when Smith struck comedian Rock for quipping about his wife’s hair-loss condition drew enormous attention, but was criticised for overshadowing the night’s winners.

In a September meeting with Academy members, Kramer set out plans to “reinvigorate” the Oscars “to a position of power, honorability, and importance”, including a renewed focus on “love and reverence for film”.

While recent Oscars have been largely dominated by smaller, more arthouse-oriented films, many analysts predict crowd-pleasers such as “Top Gun: Maverick” and “Black Panther: Wakanda Forever” could feature prominently next time.

The Oscars will be held on March 12, 2023, at the Dolby Theatre in Hollywood.

Europe’s bees stung by climate, pesticides and parasites

By - Nov 08,2022 - Last updated at Nov 08,2022

You still have the beauty of the bees,’ enthuses US entomologist Jeffery Pettis (AFP photo)

QUIMPER, France — Bees pollinate 71 of the 100 crop species that provide 90 per cent of food worldwide. They also pollinate wild plants, helping sustain biodiversity and the beauty of the natural world.

But climate change, pesticides and parasites are taking a terrible toll on bees and they need protecting, according to European beekeepers, who held their annual congress in Quimper, western France, this week.

The congress, which said some European beekeepers were suffering “significant mortalities and catastrophic harvests due to difficult climatic conditions”, was an opportunity for beekeepers and scientists to try to respond to the major concerns.

The European Union, the world’s second largest importer of honey, currently produces just 60 per cent of what it consumes.

French beekeepers, for example, expect to harvest between 12,000 and 14,000 tonnes of honey this year, far lower than the 30,000 tonnes they harvested in the 1990s, according to the National Union of French Beekeepers (UNAF).

“I’ve been fighting for bees for 30 years but if I had to choose now, I don’t know if I’d become a beekeeper,” said UNAF spokesman Henri Clement, who has 200 hives in the unspoilt mountainous Cevennes region in south-eastern France.

Clement is 62 and not far off retiring.

“But it’s not much fun for young people who want to take up the profession,” he said.

Many of the subjects buzzing around the congress were evidence of this — Asian hornets, parasitic varroa mites and hive beetles (all invasive alien species in Europe), pesticides and climate change.

With climate change, “the bigger issue is just the erratic weather and rain patterns, drought and things like that”, explained US entomologist Jeffery Pettis, president of Apimondia, an international federation of beekeeping associations in 110 countries.

“In certain places, the plants had been used to a certain temperature. And now it goes up, and you have a hot dry summer, and there are no flowers,” Pettis told AFP.

No flowers means no pollen, which means bees dying of hunger.

Climate scientists say human-induced global heating is intensifying extreme weather events like flooding and heatwaves that exacerbate wildfires. 

“The fires seem to be a big issue,” Pettis said. “They come sporadically and we lose hives directly from flooding and fires.”

 

Pollen quality

 

Pettis, a former scientist at the US Department of Agriculture, published a study in 2016 on the quality of pollen produced by goldenrod — a hardy perennial also known as solidago that produces a myriad of small, yellow, daisy-like flowers.

The study showed that the more carbon dioxide — a greenhouse gas — accumulates in the atmosphere, the lower the amount of protein in goldenrod pollen. 

North America bees are dependent on nourishment from goldenrod pollen to get through the winter, Pettis explained.

“Getting inferior food... should affect wintering. It could happen with other pollen sources. We don’t know.”

As in France, 30 to 40 per cent of hives in the United States are dying every winter, Pettis said, decimated by varroa mites, pesticides and the destruction of wild spaces where wild plants grow.

“Today, there are even American startups that are developing drones to pollinise plants in the place of bees. It’s utterly appalling,” said Clement.

Toxic pesticides are another factor decimating bee colonies and other pollinating insects.

French molecular biophysics scientist Jean-Marc Bonmatin said parasites like varroa, were “boosted by the presence of neonicotinide pesticides, which directly poison pollinators”. 

Neonicotinides, chemically similar to nicotine, are systemic pesticides. 

Unlike contact pesticides, which remain on the surface of the treated leaves, systemic pesticides are taken up by the plant and transported throughout the plant, to their leaves, flowers, roots and stems, as well as to their pollen and nectar.

These toxic substances can remain in the soil for between five and 30 years, Bonmatin said.

The EU restricted the use of three neonicotinides — but not all — in 2013 and banned them outright in 2018.

But since 2013, several EU states have repeatedly granted “emergency authorisations” to use the noxious insecticides on major crops.

 

Limiting toxic chemicals 

 

He said open source software called Toxibee was being launched soon to help farmers protect bees by identifying the least toxic molecules to use on their crops. 

“Before they spray the crops with pesticides, they can try to limit their noxious effect,” he said.

“Because what kills bees will one day damage people’s health, too.”

Pettis strove, however, to remain upbeat, pointing to some of the ways people can help bees.

“[We should] diversify agriculture and try not be driven by chemically-dependant agriculture, support organic and more sustainable farming.”

He also stressed the incredible resistance of some bee species, helped by factors in the natural world.

He cited the example of a black bee found on the Ile de Groix island in Brittany, which has survived varroa attacks without beekeepers treating them for mites or giving them supplementary feeding.

“We think the bees are dependent on us but in reality they survive pretty well even without us,” he said.

“And you still have the beauty of the bees. It’s such a good thing to work with bees.”

Renault Koleos 2.5L: Upmarket aspiration

By - Nov 07,2022 - Last updated at Nov 07,2022

Photos courtesy of Renault

First introduced in 2016, the second generation Renault Koleos is a significant step upmarket from its predecessor, and is now positioned at the top of Renault’s SUV hierarchy. Produced by the French manufacturer’s Renault Korea Motors subsidiary — formerly known as Samsung Motors — the Koleos is a mid-size crossover with premium aspirations, which are reflected in its better resolved and more stylishly contemporary and sophisticated design. Larger and roomier, its interior design, appointment and equipment and technology levels are meanwhile similarly improved.

 

Confident style

 

Built on a Renault-Nissan platform shared with its Japanese Nissan X-Trail cousin, the Koleos (aka Renault Samsung QM6) is a better fit within Renault’s European and broader global model lines, with a better integrated design and corporate face than its first generation Koleos/QM5 predecessor. Distinctively more dramatic, the Koleos features a high waistline and upright cabin. Confidently elegant, its muscularly ridged clamshell bonnet heavily brows deep-set and slim headlights, while its fascia is framed by a lower LED arc.

With a large diamond-shaped Renault emblem sitting high and protruding slightly above thick grille slats, the Koleos’ chunky style also incorporates prominent wheel-arches. With neat bumper integrated exhaust ports, rear views also includes thick rear lights with a slim LED outline and strips extending towards its tailgate badge. Almost imperceptibly refreshed to include a slightly revised bumper design and restyled grille slats in 2020, the pre-facelift Koleos is however still listed, and presumably still available, locally at time of writing.

 

Smooth operator

 

Underneath, the Middle East specification version of the Koleos is powered by proven driveline shared with the X-Trail, and consisting of a transversely-mounted 2.5-litre naturally-aspirated four-cylinder engine mated to a continuously variable transmission (CVT) system, driving either front or all wheels. Producing 169BHP at 6,000rpm and 172 lb/ft of torque at 4,000rpm, the Koleos is reasonably brisk carrying its 1.6-tonne weight through 0-100km/h in 9.8-seconds, and onto a 199km/h top speed. It meanwhile returns 8.3l/100km combined cycle fuel efficiency.

The Koleos’ engine is smooth, refined and eager through revs, and provides progressive delivery and comparatively good throttle control and responses for a comfortable crossover of its class. Constantly adjusting ratios to optimise engine speed and torque for efficiency, the Koleos’s transmission provides seamless delivery and effective on the move versatility. Its wide and continuously altering transmission range meanwhile delivers a “slingshot” effect under hard acceleration, as revs hover while transmission ratios adjust. The CVT’s “manual” mode however allows the engine to rev more freely.

 

Confident comfort

 

If not as committed or precise as a traditional gearbox when a specific gear is required during “sporty” driving situations, the Koleos’ CVT instead features fixed ‘manual’ mode ratios to mimic a traditional automatic. Driven in four-wheel-drive guise, the Koleos meanwhile primarily powers the front wheels under normal driving conditions for efficiency, but can divert power to the rear wheels in 4WD Auto mode, when increased traction and grip are needed. Over moderate sandy and gravelly terrain, the Koleos’ lockable four-wheel-drive and generous 210mm ground clearance meanwhile proved effective.

Refined inside with its good noise, harshness and vibration isolation, the Koleos is smooth and comfortable on tarmac for driver and passengers alike. Its combination of large 18-inch alloy wheels and 225/60R18 tyres are meanwhile aesthetically well-suited to its chunky body design, but more importantly deliver a happy medium between ride comfort, grip through corners and steering precision. Comfortable yet confident, the Koleos meanwhile turns into corners in a tidy fashion, for a vehicle of its height and weight, while steering is responsively quick and direct.

 

Cavernous cabin

 

Riding on MacPherson front and multi-link rear suspension, the Koleos is stable and settled at motorway speed, while body control through corners was comparatively good. Providing a high, comfortable and commanding driving position with good adjustability and front visibility, the Koleos also features a rear view camera on higher specification versions, which helps make it easier to maneuver in confined conditions. Spacious and easily accessible for front and rear passengers, the Koleos’ generous boot meanwhile accommodates 550-litres of luggage, which expands to 1,690-litres with rear seats folded.

A comfortable and cavernous crossover with notably good rear legroom, the Koleos’ cabin is elegant and upmarket in design, materials and textures. In addition to a large tablet-style infotainment screen and big storage box and armrest combo, the well-equipped high spec version of the Koleos features dual zone air conditioning, motion sensing auto tailgate operation, blind spot warning, parking assistance, ambient cabin lighting, and a panoramic sunroof. Safety equipment meanwhile also includes Isofix child seat latches, emergency brake assistance and multiple standard airbags.

TECHNICAL SPECIFICATIONS

  • Engine: 2.5-litre, 16-valve, DOHC, transverse 4-cylinders
  • Bore x stroke: 89 x 100mm
  • Compression ratio; 10:1
  • Gearbox: Continuously variable transmission (CVT) 6-speed auto
  • Drive-train: Four-wheel-drive
  • Power, BHP (PS) [kW]: 169 (171) [126] @6,000rpm
  • Specific power: 68BHP/litre
  • Power-to-weight: 105BHP/tonne
  • Torque, lb/ft (Nm): 172 (233) @4,000rpm
  • Specific torque: 93.6Nm/litre
  • Torque-to-weight: 145Nm/tonne
  • 0-100km/h: 9.8-seconds
  • Top speed: 199km/h
  • Fuel consumption, urban / extra-urban / combined: 10.7- / 6.9- / 8.3l/100km
  • Fuel capacity: 60-litres
  • Length: 4,673mm
  • Width: 1,843mm
  • Height: 1,678mm
  • Wheelbase: 2,705mm
  • Ground clearance: 210mm
  • Track, F/R: 1,591/1,586mm
  • Overhang, F/R: 930/1,038mm
  • Headroom, F/R: 953/911mm
  • Shoulder room, F/R: 1,449/1,419mm
  • Cargo volume min / max: 550- / 1,690-litres
  • Payload: 550kg
  • Unladen weight: 1,607kg
  • Suspension, F/R: MacPherson struts / multilink
  • Steering: Power-assisted, rack & pinion
  • Turning circle: 11.4-meters
  • Brakes F/R: Ventilated discs, 296 x 26mm / 292 x 16mm
  • Tyres: 225/60R18

‘Acne at my age?’

By , - Nov 06,2022 - Last updated at Nov 06,2022

Photo courtesy fo Family Flavours

Although acne is commonly thought of as a problem of teens, it can occur at any age. Let’s find out about adult acne and what one can do about it.

Most of us get pimples now and then and this is normal, but an excessive number of pimples is called acne and may affect adults from the age of 25 through their 40s. Adult acne is caused by the same factors that cause acne in adolescents, but other unique factors contribute to adult acne.

 

Causes of adult acne

 

Hormonal changes are the most common factor (menstruation, pregnancy, menopause or pre-menopause)

Excess oil production

Clogged pores 

 

Some skincare products and make-up may cause inflammation or clog pores 

Stress Some medications may trigger acne breakouts 

Some medical conditions like polycystic ovary syndrome

 

Skincare recommendations

 

Washing your face twice daily and after sweating with a mild cleanser that is gluten-free, paraben and perfume free. Harsh chemical cleansers are not recommended

Never sleeping with make-up on

Choosing your skincare and make-up wisely, avoiding products that may clog pores and perfumed cream

Never squeezing, poking or popping lesions. These can worsen acne and cause scars

Developing a hands-off policy — touching your face often may lead to inflammation and increase the growth of bacteria

 

Prevention and treatment

 

1.Consulting a pharmacist about cleansers and over the counter creams if your acne is mild

2.Consulting your dermatologist if your acne is severe

3.Checking with your gynaecologist if you have acne and your weight has increased

4.Gut health is critical since an unhealthy gut can impact your skin by causing stressful breakouts

5.Avoiding or limiting refined sugar, meat and junk food

6.Increasing your intake of antioxidant food like Omega-3, Vitamin C and green tea

7.Managing stress

8.Staying well hydrated

9.Checking your hair care products since acne around the hairline and forehead may be due to excess oil production in hair follicles

10.Washing your pillowcases regularly to remove dirt and cleaning your phone periodically to remove bacteria, to avoid acne on cheeks

 

Once you find out the cause of acne, you will be able to control it. Remember that consistency and patience are key.

By Ruba Al Far
Pharmacist

The renaissance of the world’s largest pipe organ

By - Nov 05,2022 - Last updated at Nov 05,2022

ATLANTIC CITY, United States — You’ve never felt Bach’s Toccata and Fugue in D minor quite like this: in Atlantic City, the largest organ in the world is coming back to life.

The pipe organ in the New Jersey city’s Boardwalk Hall was constructed in the 1920s, during the seaside resort area’s golden age.

But the instrument suffered the wrath of a hurricane in 1944, and wear and tear after years of quasi-abandonment for a while left it unusable. Now, through private donations and careful restoration, it is coming back to ear-pleasing functionality.

From near the stage the antique wooden cabinet looks tiny, but inside it includes a record seven keyboards and rows of keys and pedals that control the pipes, only two-thirds of which are currently in working order.

“It’s an experience that’s hard to really describe,” said Dylan David Shaw, a 23-year-old organist.

“Every conceivable sound of the orchestra that you can think of is available at your fingertips: Strings and woodwinds, orchestral trumpets, flutes,” Shaw said. “Anything you can possibly think of: Percussions, glockenspiel, even a full grand piano in one of the side chambers.”

He added: “It’s a magical experience.”

The history of the instrument, which was constructed by the Midmer-Losh Organ Company, goes hand in hand with that of Boardwalk Hall itself.

The imposing arena facing the ocean has been the site of Miss America competitions, the 1964 Democratic convention, and boxer Mike Tyson fights.

The organ was built “to fill this enormous space with music”, said organ curator Nathan Bryson, who called the “enormous instrument” the “precursor of surround sound”.

 

50 per cent playable 

 

The pipe organ has a stunning 33,112 pipes, the most in the world, in wooden rooms accessible by a narrow staircase and ladders.

By comparison, the famous Grand Organ of Notre Dame in Paris has fewer than 8,000 pipes.

When the organist plays “The Star-Spangled Banner”, listeners feel almost as if their bodies are vibrating with the notes of the US national anthem.

While Atlantic City holds the record for most pipes, just an hour’s drive away in Philadelphia stands the “Wanamaker”, the world’s largest organ in working order that’s inside a Macy’s department store.

Since 2004 a historic organ restoration committee entirely financed through donations has been working to return Atlantic City’s organ to its full sonic power.

Behind the stage, Dean Norbeck, a retired electrical engineer, patiently mounts small magnets on a board, which conduct air in the pipes to produce sound.

Some repairs are easy to identify, but “sometimes it can be tricky to figure out why the pipes are not playing”, Bryson said, and “where the point of failure is along the way”.

For organist Shaw, the instrument is “over 50 per cent playable”.

The total restoration will cost some $16 million, Bryson said. So far $5 million has been raised.

Casts found of ‘fish lizard’ skeleton bombed in WWII

By - Nov 05,2022 - Last updated at Nov 05,2022

An Ichthyosaur skeleton (AFP photo)

LONDON — The first complete ichthyosaur skeleton, believed to have been found by the fossil hunter Mary Anning, was thought to have been lost forever when German bombs rained down on London in World War II.

But two plaster casts of the distinctive dolphin-like reptile have now been unearthed, even though there was no record of them ever being made.

Researchers Dean Lomax, from the University of Manchester in northwest England, and Judy Massare, from New York State University, described the finds as “historically important”.

“The specimen was the first skeleton of an extinct marine reptile in the scientific literature and the most complete ichthyosaur skeleton known at the time,” they said.

One cast, found at the Peabody Museum of Natural History at Yale University in the United States, is likely to be a “cast of a cast” and was donated to the institution in 1930.

It mentions it is an ichthyosaurus specimen from Lyme Regis on the Jurassic coast of Dorset, southern England, where Anning and her family went fossil-hunting in the early 19th century.

The other, at the Natural History Museum in Berlin, says only that it is a “plaster cast of an ichthyosaur skeleton from an unknown location”.

Lomax and Massare wrote in the journal Royal Society Open Science published on Wednesday that the latter was in excellent condition and likely to be a later cast using newer methods as it was more detailed.

Comparisons of both casts led the researchers to conclude they were of the lost ichthyosaur skeleton bought for £100 by the Royal College of Surgeons after it failed to sell at an auction by Anning in 1820.

The sum is the equivalent to nearly £7,500 ($8,600) today.

“Considering that the original was destroyed during World War II, it is somewhat ironic that the cast in the best condition is in the Berlin museum,” the researchers noted.

Ichthyosaurus, whose name translates to “fish lizard”, was part of a larger group called ichthyosaurs which were distant relatives of lizards and snakes.

They lived between 251 million and 65.5 million years ago and were common in the Jurassic period, which began about 200 million years ago.

Well-preserved fossils have been found in Germany and England.

They were about three metres in length, with four flippers, large eyes, a pointed snout and rows of sharp teeth.

Although they lived in water, they were air-breathers and would have had no capacity to survive on land.

“Ammonite”, a fictional film inspired by Anning’s life, was released in 2020 starring Kate Winslet.

Dolly Parton, Eminem among Rock Hall of Fame inductees

By - Nov 05,2022 - Last updated at Nov 05,2022

In this file photo taken on March 7 US singer and songwriter Dolly Parton arrives for the 57th Academy of Country Music awards at the Allegiant Stadium in Las Vegas, Nevada (AFP photo)

LOS ANGELES — Music’s A-listers will celebrate a new crop of legends entering the Rock and Roll Hall of Fame this weekend, among them country queen Dolly Parton and rap agitator Eminem.

Pop futurists Eurythmics, smooth rocker Lionel Richie, new wave Brits Duran Duran, confessional lyricist Carly Simon and enduring rock duo Pat Benatar and Neil Giraldo round out the class of 2022.

The Cleveland-based Hall of Fame — which surveyed more than 1,000 musicians, historians and industry members to choose the entrants — will honor the seven acts in a star-studded gala concert on Saturday at Los Angeles’s Microsoft Theater.

The inclusion of Parton, 76, prompted a characteristically humble response from the beloved icon, who initially requested her name be taken out of the running.

“Even though I’m extremely flattered and grateful to be nominated for the Rock and Roll Hall of Fame, I don’t feel that I have earned that right,” said the music pioneer, who’s penned thousands of songs including “Jolene” and “I Will Always Love You”.

But voting was already under way, and the Hall of Fame insisted she was far more than a country star.

“With her trailblazing songwriting career, distinctive voice, campy glamour, business savvy and humanitarian work, Dolly Parton is a beloved icon who transcends the genre she transformed forever,” the organisation said.

For years the institution has defined “rock” less in terms of genre than of spirit, with a number of rappers, pop, R&B and country stars included.

“I just felt like I would be taking away from someone that maybe deserved it, certainly more than me, because I never considered myself a rock artist,” Parton said later.

“But obviously, there’s more to it than that.”

 

Eclectic group 

 

The 2022 group of hall of famers is among the organisation’s most eclectic in years.

Detroit rapper Eminem burst onto the world stage in the late 1990s with darkly comical hits off his major label debut “The Slim Shady LP” including “My Name Is”.

“The Marshall Mathers LP” cemented his superstar status, becoming one of the best-selling albums of all time and setting up the rapper as one of pop’s master provocateurs with a blistering flow.

He joins fellow rappers including Jay-Z, Tupac Shakur, Ice Cube and Grandmaster Flash along with his loyal producer and mentor Dr Dre in the hall of rock’s elite.

Eminem gained the recognition in his first year of eligibility: Acts can be inducted 25 years after their first commercial music release.

Lionel Richie, the crooner behind enduring love songs “All Night Long” and “Hello”, earned the distinction after already scoring the majority of music’s top honors.

The 73-year-old artist has been inducted into the Songwriters Hall of Fame as well as designated a Kennedy Centre Honoree and a winner of the Gershwin Prize for Popular Song.

Eurythmics — the duo comprised of Annie Lennox and Dave Stewart — earlier this year also entered the Songwriters Hall of Fame.

The synthpop innovators behind “Sweet Dreams [Are Made Of This]” will now take their place among rock’s greatest.

“We were always changing. That was the point,” Lennox told Rolling Stone shortly after the inductees were announced. “That’s what kept our spark going.”

Duran Duran is set to reunite with their former guitarists Andy Taylor and Warren Cuccurullo, at the night that’s more supergroup concert than ceremony.

“We didn’t have so-called ‘acrimonious splits’. It was gentlemanly and it was understood. And pretty much mutual,” frontman Simon Le Bon told Rolling Stone.

Simon, the singer-songwriter behind the 1970s classic “You’re So Vain”, will finally be inducted following almost two decades of eligibility.

“There’s that first thought of, ‘I don’t believe it. It must be the House of Pancakes I just got into,’” said Simon.

And power couple Benatar and Giraldo, who dominated the 1980s with hits like “Hit Me With Your Best Shot”, will also finally get rock hall recognition for their prolific body of work.

Judas Priest along with Jimmy Jam and Terry Lewis will also receive awards for musical excellence, while Harry Belafonte and Elizabeth Cotten will be recognised for early influence prizes.

The gala will begin at 7:00pm Pacific time, and will later be broadcast on November 19 on HBO.

Punk poet Patti Smith says writing is her ‘essential’ art form

By - Nov 03,2022 - Last updated at Nov 03,2022

AFP photo

CHICAGO — Her Godmother of Punk Rock icon status made her a household name, but for Patti Smith, it’s writing where she finds her true artistic voice.

Along with her musical performance and literary pursuits, Smith is a painter and photographer, but if she had to choose one form? 

“I’d pick writing.”

“Writing is my most essential form of expression,” the artist told AFP in Chicago, where she recently received the prestigious Ruth Lilly Poetry Prize.

Smith, who was inducted into the Rock and Roll Hall of Fame in 2007, is perhaps best known for her seminal punk album “Horses”.

But poetry was an earlier love, and “Horses” begins with lines from a poem that she penned.

“Performing poetry, reading poetry was very strong in New York in the late 1960s and early 1970s,” she said. 

But “I had so much energy and was really a child of rock and roll, so standing there reading a poem was never satisfying to me,” Smith continued. 

“I quickly merged my poems with a few chords as something to propel me to improvise more poetry, and it sort of evolved into a rock and roll band.”

While Smith’s album and her band went on to critical acclaim, writing always was at its backbone, she said, pointing to her song “Redondo Beach” which was initially a poem.

“Throughout all my albums and even the prose that I write, poetry is still a thread,” she said.

“Horses” is widely considered one of the best albums of all time, but for Smith it was her 2010 book “Just Kids” — a memoir she promised her best friend and muse Robert Mapplethorpe that she would write hours before he died — that became her life’s greatest success.

“I’d never written a book of nonfiction, but he asked me if I would write our story,” she recalled.

Mapplethorpe, a photographer, died at age 42. He and Smith shared a deep friendship, romance and lifelong creative bond.

“My greatest success in my life has been the book that he asked me to write and it almost makes me cry. Robert got his wish and I kept my vow and wrote the book as best I could.”

“Just Kids” won The National Book Award and introduced Smith to an entirely new generation of fans, while outselling all of her music albums along the way.

She said young people used to tell her “Horses” changed their lives — but “it was usurped by ‘Kids’”. 

“I think it’s really opened up many doors for me,” she continued. “Other books were examined and people read them and now when we have our concerts, it’s a wonderful thing to step on stage and see a sea of people under 30, even under 25.”

“To see all these young people who are interested in your work and giving of their energy, I’m so grateful for that.”

Smith, who turns 76 this December, said she has no plans to slow her output.

She’s set to release “A Book of Days” later this month, a volume based on her Instagram account’s musings.

She’s also considering a serialised book entitled “The Melting”, based on her Substack account posts.

Smith has maintained her prolific output for years but she says “things don’t necessarily come easy.”

“I’ve had to plug away my whole life.”

She considers herself an optimist but she’s “deeply concerned and heartbroken” about the state of the world right now, citing environmental crises along with the rise of nationalism globally and the Russian invasion of Ukraine.

“There’s so many things happening simultaneously right now, it’s overwhelming,” she said. “But I have kids, so I’m always seeking in my mind ways to make the world better for them.”

Persevering means writing daily and trying her best to help others.

“We just have to keep doing our work and find a way to keep ourselves healthy and just help one another. It seems so elemental but it’s also required,” she said.

Smith said she’s working on writing a new song inspired by the women protesting in Iran, and still believes, like one of her famous songs, that people have the power.

“I absolutely believe it,” she said. “It’s just whether we choose to use it or not. That’s what the women of Iran are doing.”

“That’s the only tool we have.”

By Bob Chiarito
Agence France-Presse

 

Record measurement of universe suggests ‘something is fishy’

By - Nov 02,2022 - Last updated at Nov 02,2022

 

PARIS — The most precise measurements ever made of the universe’s composition and how fast it is expanding suggest “something is fishy” in our understanding of the cosmos, the astrophysicist who led the research recently said.

The comprehensive new study published in The Astrophysical Journal further confirmed that there is a significant discrepancy between two different ways to estimate the speed at which the universe is expanding. 

The study said that around 5 per cent of the universe is made up of what we might think of as normal matter, while the rest is dark matter and dark energy — both of which remain shrouded in mystery.

Dark energy, a hypothetical force causing the universe to expand at an ever-increasing rate, makes up 66.2 per cent of the cosmos, according to the study published in The Astrophysical Journal.

The remaining 33.8 per cent is a combination of matter and dark matter, which is also unknown but may consist of some as-yet-undiscovered subatomic particle.

To arrive at the most precise limits yet put on what our universe is made up of, an international team of researchers observed exploding stars called supernovae.

They analysed the light from 1,550 different supernovae, ranging from close to home to more than 10 billion lights year away, back when the universe was a quarter of its current age.

“We can compare them and see how the universe is behaving and evolving over time,” said Dillon Brout of the Harvard-Smithsonian Centre for Astrophysics and lead author of the study, called Pantheon+.

 

Two decades of analysis

 

The study updated the data from the Pantheon project a couple of years ago, stamping out possible problems and nailing down more precise calculations.

“This latest Pantheon+ analysis is a culmination of more than two decades’ worth of diligent efforts by observers and theorists worldwide in deciphering the essence of the cosmos,” US astrophysicist Adam Reiss, 2011’s physics Nobel winner, said in a statement.

It was by observing supernovae back in the late 1990s that Reiss and other scientists discovered the universe was not only expanding but also doing so at an increasing rate, meaning galaxies are racing away from each other.

“It was like if you threw a ball up, and instead of the ball coming down, it shot up and kept accelerating,” Brout said of the surprise of that discovery.

Pantheon+ also pooled data with the SH0ES supernova collaboration to find what is believed to be the most accurate measurement for how rapidly the universe is expanding.

They estimated the universe is currently expanding 73.4 kilometres a second every megaparsec, or 3.26 million light years. That works out to be around 255,000 kilometres per hour, according to a Harvard-Smithsonian statement.

But there’s a problem.

 

The Hubble tension

 

Measuring cosmic microwave background radiation, which can look much farther back in time to around 300,000 years after the Big Bang, suggests the universe is expanding at a significantly slower rate — around 67 kilometres per megaparsec.

This discrepancy has been called the Hubble tension, after US astronomer Edwin Hubble.

The Pantheon+ results have raised the certainty of the Hubble tension above what is known as the five sigma threshold, which means the discrepancy “can no longer be attributed to luck”, Brout said.

“It certainly indicates that potentially something is fishy with our understanding of the universe,” Brout told AFP.

Some possible, unverified theories for the discrepancy could include another kind of dark energy in the very early universe, primordial magnetic fields, or even that the Milky Way sits in a cosmic void, potentially slowing it down.

But for now, Brout said that “we, as scientists thrive on not understanding everything.

“There’s still potentially a major revolution in our understanding, coming potentially in our lifetimes,” he added.

Ubisoft mashes ‘Rabbids’ into ‘Mario’ world

By - Nov 02,2022 - Last updated at Nov 02,2022

Photo courtesy of ubisoft

 

MILAN — It took 300 staff working in five cities about five years, but the second edition of one of the most ambitious mash-ups in video games arrived — “Mario + Rabbids: Sparks of Hope”.

The game merges Nintendo’s Mario, the Italian plumber who has given his name to an entire universe of games, with Ubisoft’s Rabbids, a series focused on the adventures of a species of screeching, hyperactive rabbit-like animals.

Nintendo, like other media companies, is highly protective of its creations.

Only fellow Japanese studio Sega has been entrusted with characters from “Mario” before, for special editions games celebrating the Olympic Games where they compete with “Sonic the Hedgehog”.

“Nintendo told us very early on: ‘This is your game, this is your vision, we respect it,’” Ubisoft’s Xavier Manzanares, who is overseeing the new game’s development, told AFP.

“That’s where it’s interesting, so we had real creativity, really interesting room for manoeuvre.”

The first game in the series, “Mario + Rabbids: Kingdom Battle”, has garnered more than 10 million players since its release in 2017, said Manzanares.

“I don’t think we would have bet on that in 2017,” he said.

“It attracted a lot of attention because there are not many brands that do a pair-up with ‘Mario’, that’s for sure.”

 

A history of mash-ups

 

The idea of fictional universes colliding — characters from one popping up in another — is far more developed in cinema franchises and comic books than in video games.

Superheroes, for example, have a long history of showing up in a rival’s storylines.

In video games, Nintendo has created mash-ups featuring its own characters, like the “Super Smash Bros” series that brought together the likes of Pikachu, Donkey Kong and others.

Occasionally two studios join forces, like in the “Kingdom Hearts” series, which matched up “Final Fantasy” of the Japanese publisher Square Enix with characters owned by Disney.

This is much closer to the idea of Spiderman and Superman walking into each other’s storylines, as happened in 1970s crossover comics and many times since.

Julien Pillot, an economist specialising in cultural industries, told AFP this kind of collaboration in video games was rare and tricky to pull off.

Issues of rights and royalties cause headaches, he said, and the studio loaning its characters is likely to make onerous demands to ensure its brand is protected.

 

‘New universes’

 

Ubisoft, though, said it had been given real leeway, even to create new crossover characters in the form of “Sparks”.

They are star-shaped creatures combining “Rabbids” with “Lumas”, characters from the game “Super Mario Galaxy”.

“For us, it was important not to have ‘Rabbids’ on one side and ‘Mario’ on the other in two separate silos,” said Manzanares.

He said the aim was to “really to create a new universe with both”.

The French firm’s developers have been working across two principal locations in Milan and Paris with support from other studios in China, India and Montpellier in southern France.

Manzanares played down the challenges involved in such a creative endeavour being carried out across so many locations.

“We’ve been working like this for a long time, whether it’s on the games ‘Far Cry’, ‘Assassin’s Creed’ or ‘Just Dance’,” he said.

Analyst Cedric Lagarrigue told AFP video game firms were increasingly working on global lines like this.

North America or Europe often leads on the creative part, he said, then processes like making 3D characters or environments, “can be done anywhere in the world”.

Manzanares said all Ubisoft’s locations had autonomy and each one brought something to the new game.

“We really worked on this merger,” he said.

“It’s been a big eight-year job” bringing the two games to the market.

 

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