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Passionflower power

By , - Mar 08,2021 - Last updated at Mar 08,2021

Photo courtesy of Family Flavours magazine

The purple passionflower vine produces white flowers with purple, blue or pink calyx crown blooms. With its unusual blossoms, the woody vine has a reputation for treating many ailments. It grows in tropical and sub-tropical parts of the world and is widely used in Indian Ayurvedic medicine. 

 

Therapeutic properties

 

Called by different names like Jamaican Honeysuckle, Apricot Vine and Water Lemon, the flower is used in many parts of the world for stress relief. The purple passionflower’s active alkaloid compound has shown promising results in reducing anxiety and stress, supporting bone health and improving immunity. It also helps reduce night sweats and insomnia. The paste of the flower can treat skin burns and inflammation. It has also shown to have a positive effect on Attention Deficit Hyperactivity Disorder in children.

 

Cosmetic contribution

 

The beautiful blossom of the passionflower vine is widely used in anti-ageing skin creams and hair tonics. The oil is extracted from the seeds of the fruit and is a vibrant yellow. Its antioxidant and nourishing quality (rich in Vitamin A and C, calcium and phosphorous) is particularly beneficial to acne and ageing skins. It is also used often as a hydrating moisturiser and in sunscreen creams because of its non-clogging property. Most passion flower products are available in health food stores.

Culinary craze

 

Edible flowers, like their herbal counterpart, are the new rage in contemporary cuisine. I use edible flowers more for an aesthetic appeal, flavour and the dramatic effect they add to a dish. If you plan to bring some flair to your next meal, think of edible flowers to garnish or bring out that sweet, peppery flavour to your dish. Violets, roses and lavenders lend a sweet taste to your salads and desserts. Drink a cup of passionflower tea by steeping a few dried petals in boiling water to give you grassy earthiness, sweetened with a few drops of honey for undisturbed sleep.

 

Side effects

 

Drowsiness and dizziness are potential side effects of consuming the herb in excess. Pregnant and breastfeeding women should avoid this herb. Always consult your doctor before trying herbal remedies.

 

Reprinted with permission from Family Flavours magazine

Oprah Winfrey: Cultural powerhouse and trailblasing billionaire

By - Mar 06,2021 - Last updated at Mar 06,2021

NEW YORK — He may be the Queen’s grandson, but she is American cultural royalty: Oprah Winfrey, whose upcoming bombshell interview with Prince Harry and Meghan Markle is dominating headlines, is a billionaire TV phenomenon renowned for coaxing secrets and tears from countless celebrities.

From Michael Jackson and Tom Cruise to Lance Armstrong and the Duchess of York, Winfrey is responsible for some of America’s most memorable sit-down interviews over the last three decades.

Harry and Meghan are the latest to open up when a tell-all interview with the talk show queen is aired by CBS on Sunday.

Winfrey, 67, is also one of the world’s biggest influencers, inspiring millions of Americans to read more, buy her favourite products and even change how they talk, eat and vote.

She has appeared in movies, co-authored several books and presides over a vast and varied media empire, with Forbes magazine estimating her personal wealth at $2.7 billion.

The multiple-award-winning interviewer has long promoted mindfulness and self-improvement too, becoming a self-help guru for many.

Her colossal influence extends to politics: in 2008, she endorsed Barack Obama’s presidential bid, the first time she had ever publicly backed a candidate for office.

Fans have long encouraged Winfrey to run for president herself. In 2018, she was forced to dampen speculation that she would seek the Democratic nomination to take on then-president Donald Trump.

Winfrey, born in 1954, rose from a childhood of poverty and abuse in small-town Mississippi to become the world’s first female African-American billionaire in 2003.

She began her broadcasting career while she was still in high school and landed a job as a news anchor in Nashville at age 19.

Her emotional ad-libs won her a Chicago morning talk show in 1984, which was syndicated nationally as “The Oprah Winfrey Show” in 1986.

The show, which ran for 25 seasons until 2011, became the most-watched talk show of all time and was estimated to reach 40 million US viewers a week.

 

Book club 

 

Audiences tuned in for the emotional connection she made with guests and viewers, with celebrities from all walks of life choosing her couch as a comfortable place to open up.

The part of the interview where they suddenly discover something about themselves became known as the “Oprah moment”.

Actor Cruise famously jumped up on the sofa to proclaim his love for Katie Holmes.

Winfrey also took her show to the Neverland Ranch for a 1993 interview with “King of Pop” Jackson which drew an audience of 100 million people.

In other interviews, Sarah Ferguson told Winfrey in 2010 that mounting debts had led her to try to sell access to her ex-husband, Britain’s Prince Andrew.

During a 2013 chat, disgraced cyclist Armstrong admitted for the first time that he had used banned performance-enhancing drugs.

Winfrey’s use of public confession as therapy is not reserved for guests: She has regularly spoken of her battles with fluctuating weight and of sexual abuse she suffered as a child.

“I really understood that there was no difference between me and the audience,” she said in 2014.

Through her book club she popularised numerous works. A stamp of approval from Winfrey could turn a novel into an instant bestseller, a phenomenon known as the “Oprah Effect”.

Her endorsement of Obama was estimated by University of Maryland researchers to have brought in a million additional votes and helped him win both the Democratic nomination and the presidency.

He awarded her the Presidential Media of Freedom in 2013.

 

Oscar nomination 

 

“The Oprah Winfrey Show” also served as the foundation for an empire that spans books, radio, magazines and online publishing.

Winfrey founded her own production company in 1986, naming it Harpo — her name backwards.

She launched “O, The Oprah Magazine” in 2000. It enjoyed a circulation of more than 2.5 million in the mid-noughties before its print run ended last December.

She struggled with the Oprah Winfrey Network though. The TV channel launched in 2011 but took years to build an audience and is now majority owned by Discovery.

In 2018, Winfrey signed a multiyear partnership with Apple to create programmes for its streaming service. She also owns a seven percent stake in Weight Watchers.

Winfrey is a noted philanthropist; last year her charity donated $10 million to COVID-19 relief efforts.

In 1993, former president Bill Clinton signed the “Oprah Bill” into law after she helped establish a national database of convicted child abusers.

Winfrey was nominated for an Academy Award for her supporting actress role in Steven Spielberg’s 1985 film “The Colour Purple”.

She has never married and has kept her more than 30-year relationship with businessman Stedman Graham largely out of public view.

‘Vagabondo’ Ibrahimovic hitches ride on motorbike to sing at Sanremo

By - Mar 06,2021 - Last updated at Mar 08,2021

Your Bologna’s Serbian coach, Sinisa Mihajlovic (left) and AC Milan’s Swedish forward Zlatan Ibrahimovic perform during the Sanremo 2021 music festival in Sanremo, on Thursday (AFP photo)

MILAN — AC Milan striker Zlatan Ibrahimovic revealed on Friday how he had to hitch a motorbike ride to avoid missing Italy’s legendary Sanremo Music Festival where he was performing a duet with Bologna coach Sinisa Mihajlovic.

The 39-year-old has been a guest presenter at the five-day festival on Italy’s Ligurian coast but, despite an injury, returned to Milan midweek to be in the stands for his team’s 1-1 draw against Udinese.

After training and treatments, he headed back to Sanremo but got stuck in a traffic jam caused by an accident on the motorway, the Swede told a press conference.

“After three hours in the car I told my driver to open the door to let me out. I stopped a motorcyclist and asked him, ‘can you take me to Sanremo?’” he recounted.

“I know, it seems incredible. I made the video because otherwise no one would have believed me.

“Did I take a risk? Maybe yes, but I’m not afraid to take risks and I couldn’t do anything else to get there in time.

“Only two people witnessed the scene, the driver and a friend. They gave me a GPS to locate me, in case the motorcyclist had taken me who knows where.”

 

‘No Ibra, I’m driving’ 

 

Ibrahimovic and long-term Serbian friend Mihajlovic, 52, who has recently battled leukemia, then performed the 1970s Italian hit song “Io Vagabondo” on stage.

The rider, identified as Franco, told Radio Monte Carlo on Friday that Ibrahimovic had wanted to ride the bike himself over the 60km to Sanremo.

“I was returning home and, while I was stopped in traffic, I saw this black van. There were two people and one looked like Ibrahimovic. So I thought: ‘But this is Ibra!’” he recalled.

“At that point the driver lowered the window and told me: ‘Ibra asks if you can take him to Sanremo’. ‘Of course I will take him! No problem.’”

“I had a helmet under the saddle. I called my wife and told her that I would accompany Ibrahimovic to Sanremo. She didn’t believe me.”

“I am a Sunday biker and I had never taken the motorway on the motorbike. He wanted to drive himself, but I said to him: ‘No Ibra, I’m driving.’”

“I’m also an AC Milan fan, he told me that he will send me his jersey.”

More than 10 million Italians tune in each year for the Sanremo festival, an annual Who’s Who of Italian pop music, involving both well-known stars from decades past as well as new talent.

But often the music is not the main draw of the event known in Italy just as “the Festival” — the cringe-worthy moments and bad outfits are also a key part of the entertainment.

Ibrahimovic’s return to former club AC Milan last year has been credited with helping the team become contenders for a first Serie A title since 2011.

The Swede has scored 14 goals in as many league games but looks set to miss Milan’s Europa League, last 16, first-leg trip next week to his former club Manchester United, through injury.

 

World's oldest DNA sequenced from million-year-old mammoths

Mar 04,2021 - Last updated at Mar 04,2021

Steppe mammoths evolved shaggy coats over a million years ago, a trait inherited by woolly mammoths (Photo courtesy of Beth Zaiken/Centre for Palaeogenetics)

By Kelly Macnamara
Agence France-Presse 

PARIS — Teeth from mammoths buried in the Siberian permafrost for more than a million years have yielded the world's oldest DNA ever sequenced, according to a recently published study, shining the genetic searchlight into the deep past. 

Researchers said the three specimens, one roughly 800,000 years old and two over a million years old, provide important insights into the giant Ice Age mammals, including the ancient heritage of the woolly mammoth. 

The genomes far exceed the oldest previously sequenced DNA — a horse dating between 780,000 to 560,000 years ago.

"This DNA is incredibly old. The samples are a thousand times older than Viking remains, and even pre-date the existence of humans and Neanderthals," said Love Dalen, a professor of evolutionary genetics at the Centre for Palaeogenetics in Stockholm, senior author of the study published in Nature.

The mammoths were originally discovered in the 1970s in Siberia and held at the Russian Academy of Sciences in Moscow. 

Researchers first dated the specimens geologically, with comparisons to other species, like small rodents, known to be unique to particular time periods and found in the same sedimentary layers. 

This suggested that two of the mammals were ancient steppe mammoths more than a million years old.

The youngest of the trio is one of the earliest woolly mammoths yet found.

 

DNA jigsaw

 

They also extracted genetic data from tiny samples of powder from each mammoth tooth, "essentially like a pinch of salt you would put on your dinner plate," Dalen told a press briefing. 

While it had degraded into very small fragments, scientists were able to sequence tens of millions of chemical base pairs, which make up the strands of DNA, and conduct age estimates from genetic information.

This suggested that the oldest mammoth, named Krestovka, is even older at approximately 1.65 million years old, while the second, Adycha, is around 1.34 million years old, and the youngest Chukochya is 870,000 years old.

Dalen said the discrepancy for the oldest mammoth could be an underestimation in the DNA dating process, meaning the creature was likely around 1.2 million years old, as suggested by the geological evidence. 

But he said it was possible the specimen was indeed older and had thawed out of the permafrost at one point and then become wedged in a younger layer of sediment.

The DNA fragments were like a puzzle with millions of tiny pieces, "way, way, way smaller than you would get from modern high quality DNA", said lead author Tom van der Valk, of the Science for Life Laboratory, Uppsala University.

Using a genome from an African elephant, a modern relative of the mammoth, as a blueprint for their algorithm, researchers were able to reconstruct parts of the mammoth genomes.

The study found that the older Krestovka mammoth represents a previously unrecognised genetic lineage, which researchers estimated diverged from other mammoths around two million years ago and was ancestral to those that colonised North America.

The study also traced the lineage from the million-year-old Adycha steppe mammoth to Chukochya and other more recent woolly mammoths. 

It found gene variants associated with life in the Arctic, like hairiness, thermoregulation, fat deposits and cold tolerance in the older specimen, suggesting mammoths were already hairy long before the woolly mammoth emerged. 

 

Ice Age giants

 

Siberia has alternated between dry and cold Ice Age conditions and warm, wet periods.

Now climate change is melting the permafrost and revealing more specimens, Dalen said, although higher rainfall could mean remains are washed away.

He said new technologies mean it may be possible to sequence even older DNA from remains found in the permafrost, which dates back 2.6 million years.

Researchers are keen to look at creatures such as the ancestors of moose, muskox, wolves, and lemmings, to shine a light on the evolution of modern species. 

"Genomics has been pushed into deep time by the giants of the Ice Age," said Alfred Roca, a professor in the Department of Animal Sciences at the University of Illinois, in a comment piece published in Nature. 

"The wee mammals that surrounded them might soon also have their day."

Social tipping points: Slouching toward climate salvation

Mar 03,2021 - Last updated at Mar 03,2021

By Marlowe Hood
Agence France-Presse

PARIS — The world appears to have finally woken up to the existential threat of global warming, and the drive to fix the problem is accelerating across the board. 

The planet’s biggest carbon polluters — China, US, EU — vow carbon neutrality by mid-century; solar and wind power continued to surge even as global GDP shrank five per cent last year; two-thirds of humanity see a “climate emergency”; a top-five automaker says it will only make zero-emissions vehicles after 2035; major investors recoil from coal, while fossil fuels companies shrivel in value.

Climate action cheerleaders are past masters at stringing together whatever signs of progress are at hand to conjure a glass half full, so good news laundry lists must be viewed sceptically.

There are arguably just as many reasons for pessimism. 

Last week UN chief Antonio Guterres noted that — net-zero promises notwithstanding — “governments are nowhere close to the level of ambition needed to limit climate change to 1.5ºC and meet the goals of the Paris Agreement.”

The 2015 treaty calls for capping global warming at “well below” 2ºC compared to preindustrial levels, and the world is currently on track for double that.

On Tuesday, the International Energy Agency reported that global CO2 emissions have returned to pre-pandemic levels, and then some. 

But in all sectors — energy, industry, geopolitics, finance, public opinion — a flurry of activity has experts wondering whether the world is, at long last, turning the corner on climate.

“Is the pendulum swinging hard in the right direction? Absolutely,” said Gernot Wagner, a climate economist at New York University. 

“In the US, it’s Washington, it’s Detroit, it’s Silicon Valley, it’s Wall Street,” he added. “They didn’t wait for one another, it is all happening at the same time.”

The term for this sunny scenario is “social tipping point”, defined as a threshold leading irreversibly to a new state or paradigm, whether it be a shift to meat-free diets or — the ultimate goal — a global carbon-neutral economy.

Or electric vehicles (EV).

A decade ago, EVs barely registered in terms of market share, and a rapid phase out of the internal combustion engine seemed chimerical. Today, the EV revolution is well underway and, by most accounts, unstoppable.

 

Locking in 

tipping points

 

Leading the charge is Norway, where electric vehicles accounted for 54 per cent of new car sales last year — three-quarters if plug-in hybrids are included in the tally.

The only other country in double digits is Iceland, and globally the EV market share in 2020 was less then 5 per cent.

“A global tipping point will come when EVs cost the same to manufacture as conventional cars,” said Tim Lenton, an Earth system scientist at the University of Exeter and lead author of recent research that takes Norway’s EV saga as a tipping points case study. 

Rapid uptake is also helped by an about-face in consumer attitudes from wariness to wanting what others have, an example of “social contagion”. 

By itself, Norway will never move the dial on global carbon emissions. But its pathbreaking example — including a ban on new carbon polluting cars after 2025 — has an outside influence and adds to gathering global momentum, Lenton and others say.

Britain and California will only allow the sale of emissions free vehicles from 2035, while China — already the largest EV market in the world — has said it will ban petrol- and diesel-fuelled cars from that date.

Industry has its leaders too. 

Last month GM, the world’s fourth biggest carmaker, announced it would only sell emissions-free vehicles starting in 2035.

The soaring share value of EV pure player Tesla has recently made it’s CEO Elon Musk the richest person in the world.

“To see it coming both from the government side, and from major auto companies, this really signals that change is coming,” send Lenton.

Sometimes a “critical minority” is enough to lock in a tipping point, which can occur before its broader impact is visible.

 

Slavery and fossil fuels

 

Grassroots pressure on fund managers and their clients to unload fossil fuel stocks is a text-book example, Ilona Otto, head of the social complexity and system transformation research group at the University of Graz’s Wegener Centre for Climate and Global Change, told AFP.

“In the beginning it does matter why they do it, but later it matters less,” said Otto, lead author of a study on the social tipping dynamics needed to stabilise Earth’s climate by 2050.

“Simulations show that if about 9 per cent of investors divest, the rest will follow suit because they will be afraid of being left behind and losing money.”

The climate divestment movement, intertwined with social justice goals, can be compared to the drive to abolish slavery in late 18th and early 19th century, she said.

Both involved deeply rooted economic systems that actively resisted change. In the case of chattel slavery, a long unchallenged system came unravelled quickly and was soon seen as morally indefensible. 

“We will get to a point where it will seem as unthinkable to use fossil fuel energy as it is to have slaves,” Otto said.

Meanwhile, the grassroots global climate movement that surged onto the world stage in 2019 — led, in part, by a then 16-year Greta Thunberg of Sweden — is still gaining momentum, even if a raging pandemic has obscured its scope.

“Concern about the climate emergency is far more widespread than we knew before,” Stephen Fisher, a sociologist at Oxford who helped design a survey of 1.2 million people across 50 countries, told AFP.

“And the large majority of those who do recognise a climate emergency want urgent and comprehensive action.” 

Beyond morality, there comes a point in major social transitions when rejecting the status quo and adopting new norms becomes the most rational option economically.

“Even in red [Republican] states, solar panels are popular,” noted James Williams, a professor at the University of San Francisco and lead author of a recent study outlining plausible pathways for US carbon neutrality by 2050. 

Not long ago, the Chinese government viewed the concept of carbon neutrality as an economic burden, Pan Jiahua, the director of the Institute of Eco-civilisation Studies at Beijing University of Technology, told the Atlantic Council last month.

Today, however, “we have a consensus that it’s an opportunity for employment, growth, and the transformation of society.”

Part of this expanding consensus recognises that powering the world economy with fossil fuels is no longer compatible with civilisation as we know it.

 

A race we can not 

afford to lose

 

But that hard truth clashes with another: Coal, oil and gas still account for nearly 85 per cent of global energy supply, and are subsidised to the tune of half-a-trillion dollars every year, both for consumers and producers, according to the OECD. 

How that tension will be played out — and how quickly — remains to be seen, but there can be no doubt that fossil fuel companies are feeling the heat.

“The cyclical shock of COVID has brought forward a structural peak in emissions, which was going to happen anyway,” Kingsmill Bond, senior energy analyst at financial think tank Carbon Tracker, told AFP. 

“Before the crisis, renewables had almost reached a tipping point and now, in future, all growth in demand for energy can be satisfied with renewable sources,” said Bond, a former sell-side equity analyst at major banks. 

“As soon as this happens, you by definition get peak fossil fuel demand, and therefore peak emissions,” he added, raising the possibility that 2019 — the last year unaffected by the COVID crisis — may be that peak.

Ultimately, the separate strands of climate action must coalesce into a greater-than-the-sum-of-its-parts whole.

“A synergy is needed for large-scale change to unfold,” said Jonathan Donges, co-leader of the FutureLab of Earth Resilience in the Anthropocene at the Potsdam Institute for Climate Impact Research.

Social tipping points have an evil twin in the climate system, where Lenton and other Earth system scientists have identified 15 temperature trip wires for irreversible and potentially catastrophic change.

A world that has warmed 2ºC above preindustrial levels could push the melting of icesheets atop Greenland and West Antarctic — with enough frozen water to lift oceans 13 metres — past a point of no return. 

Other tipping points could see the Amazon basin turn from tropical forest to savannah; billions of tonnes of carbon leech from Siberia’s permafrost; the disappearance of the polar ice cap in summer. 

Taken together, these changes could punch a one-way ticket to what scientists call “hothouse Earth”, a profoundly inhospitable state the planet has not known for tens of millions of years.

“But of course there’s a fundamental difference between ice sheets and social systems,” said Lenton. “We have the foresight to change our course of action.” 

In a very real sense, then, humanity is in a race it cannot afford to lose.

“If we want to avoid the bad tipping points, we need to trigger the good, or social tipping points,” Lenton added.

“We have left it too late to tackle climate change incrementally.”

 

Tina Turner meets ‘new generation’ with moving new documentary

Mar 03,2021 - Last updated at Mar 03,2021

Paired with a musical about her that had its Broadway premiere in 2019 until the pandemic shut it down, the new film is billed as Tina Turner’s farewell to her legions of fans (AFP photo)

By Deborah Cole
Agence France-Presse

BERLIN — Music legend Tina Turner is the subject of one of the most successful biopics ever made but a new documentary sees her confront her demons in her own voice.

“Tina” by Oscar-winning directors Dan Lindsay and T.J. Martin premiered Tuesday at the Berlin film festival. It traces Turner’s six-decade career as an unlikely triumph over abuse and discrimination.

Paired with a musical about her that had its Broadway premiere in 2019 until the pandemic shut it down, the film is billed as the 81-year-old Turner’s farewell to her fans while introducing her to a “new generation”. 

The documentary includes emotional interviews with the singer in which she recounts her childhood of grinding poverty picking cotton in the Tennessee fields, her performing debut with violent husband Ike Turner and her lonely years even as the world’s top female rock star.

Friends weigh in including Oprah Winfrey, “I, Tina” biographer Kurt Loder and Angela Bassett, who was nominated for an Oscar for her portrayal of Turner in the 1993 blockbuster “What’s Love Got to Do with It”.

Turner was famously critical of the movie, refusing to watch it for several years and rejecting her depiction as a “victim” in it.

 

‘Pack places like the Stones’

In the documentary, she explains that the reason she decided to come forward in the 1980s about her years of physical, emotional and sexual abuse by Ike was that even after the split, interviewers insisted on asking her about their partnership.

“After all the success I have had, people were still talking about Ike and Tina,” she said.

“I wasn’t interested in telling that ridiculously embarrassing story of my life. But I felt that’s one way I could get the journalists off my back.”

Winfrey calls Turner a trailblazer in speaking out about her trauma at a time when it was still rare in the entertainment industry.

“Nobody talked about sexual abuse, physical abuse, domestic abuse, abuse period,” said Winfrey, who survived molestation as a child.

“Our generation is the generation that started to break the silence.”

Even today, Turner still has flashbacks of being beaten.

“That scene comes back, you’re dreaming, the real picture’s there — it’s like a curse,” she said.

“She slayed her dragons and continues to slay them and it’s an everyday challenge,” director Martin told AFP.

The documentary spotlights the obstacles Turner had to surmount to become a stadium-filling sex symbol as a Black middle-aged woman.

“I had a dream: my dream is to be the first Black rock’n’roll singer to pack places like the [Rolling] Stones,” she said.

Martin said Turner was long “fetishised or looked over” and had to fight to “fully have ownership of her own identity”.

“The number of times she reinvented herself and stayed relevant is more testament to Tina’s perseverance and power,” co-director Lindsay said. “She’s always looking forward.”

 

‘Bow out slowly’

 

Given the rigid race-linked radio categories of pop and R&B in America, Turner and her Australian manager Roger Davies decided she should relaunch her career from Europe.

Turner got the last laugh with her 1984 album, “Private Dancer”, which sold millions of copies worldwide and included her first major solo single “What’s Love Got to Do with It”, a song she says she “hated” at first until she “made it my own”.

“I don’t consider ‘Private Dancer’ a comeback album,” she said. “Tina had never arrived, it was Tina’s debut and this was my first album.”

She retired from touring in 2008 and near the end of the film, a frail-looking Turner is seen attending the musical about her life.

“I should be proud of that, I am,” Turner says, fighting back tears as she bids “goodbye” to her fans from her home in Zurich.

“But what do you do to stop being proud? How do you bow out slowly, just go away?”

“Tina” will screen internationally in select cinemas and on streaming services this summer.

Milan Fashion Week: Optimistic trends for next fall and winter

By - Mar 02,2021 - Last updated at Mar 02,2021

AFP photo

By Isabelle Sciamma
Agence France-Presse

ROME — The curtain fell on Monday on another Milan Fashion Week — or at least the screen went dark on this season’s all-digital affair, in which designers looked ahead to better times.

The autumn/winter 2021-2022 collections had an air of hope for when coronavirus is banished or at least brought under control: for when home clothes are shed and new outfits see the light of day, for when life simply returns to a semblance of normal.

 

Sequins, glitter and frills

 

Sequins set the tone for an irresistibly festive mood, with the standard set by Prada.

Raf Simons and Miuccia Prada used them for a sparkling lining of a large faux fur stole.

Elsewhere they were more full-on, entirely covering an otherwise straight-cut coat, or on skirts, bags and shoes.

At Valentino, Pierpaolo Piccioli used sequins on a skin-coloured dress, or a shimmering floor-length cape. 

They were inserted into knitwear at Missoni or Brunello Cucinelli, while at Armani, sequins invaded a black tuxedo jacket, the effect completed with ruffles and gemstones.

 

Inside outside

 

After months cooped up indoors, intimate wear was given an outing: dresses with thin straps in silk, lace or voile were on the catwalks of all the major houses.

At Fendi, there were fluid silk dresses, extended to the neck with the incorporation of long scarves.

New artistic director Kim Jones also used silk for trousers and tops, as if the working girl had transformed her silk pyjamas into an ultra-chic urban outfit.

Valentino’s nets and laces revealed more than they hid, and Martin Margiela had camisoles with thin straps in a collection where everything was backwards, where underneath was on top.

 

Bomber jackets

 

Bomber jackets brought a hint of G.I. Jane to the collections, although more in the vein of Marilyn Monroe visiting the Marines than Demi Moore’s shaved head. 

At Prada, the nylon jackets were oversized and black. At Etro, they had an ethnic feel, at Pucci they were branded, while at Max Mara they highlighted the label’s founding date of 1951.

For Alberta Ferretti they were in leather, while Dolce & Gabbana made them sexy with Madonna-style conical additions to the chest.

 

Black

 

Black was used to claim a more formal wardrobe.

At Valentino, the colour dominated with only flashes of white, gold and check.

At Prada, it contrasted with elements of colour on the arms, legs, necks or in accessories.

Armani used it to similar effect, the collection based on black with blue, green and lilac. A grand finale of black at Fendi brought hyper-sophisticated looks. 

Meanwhile the strong woman with a contemporary Amazonian spirit at Alberta Ferretti wore black overalls, capes and wide black trousers.

 

Fur

 

Like an animal coming out of hibernation, the heavy coat of the Yeti or Star Wars’ Chewbacca is back, whether real or fake.

For Prada, the fur was synthetic and ubiquitous, used not just for coats and stoles but also in the decor of the show, covering walls and floors.

Fur specialists Fendi presented several grand looks, but with a novel approach — re-using materials from previous pieces.

Florentine house Ferragamo was fur-free, but showed knitwear with dramatic fur-like fringes.

At Dolce & Gabbana, the fur coat was colourful, sometimes pink, golden or multicoloured, and always oversized.

 

‘Nomadland’ makes Golden Globes history

Mar 01,2021 - Last updated at Mar 01,2021

By Andrew Marszal
Agence France-Presse

LOS ANGELES — “Nomadland” made Golden Globes history on Sunday as Chloe Zhao became the first female director to win the awards’ top prize for best drama, putting her film about marginalised Americans roaming the West in vans into Oscars pole position.

Zhao also bagged the best director Globe, making her only the second woman to do so in the history of Hollywood’s traditional awards season opener, which was a mainly virtual ceremony due to the coronavirus pandemic.

The late Chadwick Boseman won best actor for 1920s blues drama “Ma Rainey’s Black Bottom”, six months after his death from cancer at age 43, in a night of emotional moments interspersed with technical glitches, awkward jokes and a row over the lack of diversity among event organisers.

Semi-fictional film “Nomadland” stars Oscar winner Frances McDormand alongside a rag-tag bunch of non-actors who truly live on the open road, working mostly menial jobs to scrape by off the grid.

“For everyone who has gone through this difficult and beautiful journey at some point in their lives — this is for you. We don’t say goodbye. We say see you down the road,” said Beijing-born Zhao, 38.

“Sometimes a first feels like a long time coming, — you feel like it’s about time. I’m sure there’s many others before me that deserve the same recognition,” she told journalists in a virtual pressroom of her historic win.

Usually a star-packed party that draws Tinseltown’s biggest names to a California hotel ballroom, this pandemic edition of the Globes was broadcast from identical sets at the Beverly Hilton and New York’s Rainbow Room, with essential workers and a few A-list presenters among the few in attendance.

The night’s most poignant moment came with the win for “Black Panther” actor Boseman. 

“He would thank his ancestors for their guidance and their sacrifice,” said his widow, Taylor Simone Ledward, accepting on his behalf.

“He would say something beautiful, something inspiring, something that would amplify that little voice that tells you you can, that tells you to keep going, that calls you back to what you are meant to be doing at this moment in history.”

‘One unzipping’

 

Unlike the Oscars, the Globes split most movie categories into drama and “musical or comedy”. 

“Borat Subsequent Moviefilm”, a sequel about the fictional Kazakh journalist, won the comedy section’s best film and best actor prizes for creator Sacha Baron Cohen. 

“Hold on, Donald Trump is contesting the result. He claimed a lot of dead people voted, which is a very rude thing to say about the HFPA,” joked Cohen, referring to the Hollywood Foreign Press Association, which organises the Globes.

Cohen also had a couple of zingers for Trump’s lawyer Rudy Giuliani, who was tricked into a fake hotel room “interview” with an attractive and flirtatious young woman, played by nominee Maria Bakalova.

“I mean, who can get more laughs out of one unzipping? It’s just incredible,” asked Cohen.

Best comedy actress went to Rosamund Pike for Netflix’s dark thriller “I Care A Lot”.

“I had to swim up from a sinking car. I think I still would rather do that than have to be in a room with Rudy Giuliani,” said Pike.

The biggest upset came as Andra Day won best drama actress for her portrayal of the legendary jazz singer Billie Holiday in “The United States vs Billie Holiday”.

 

‘Black, um back’

 

Comedians Tina Fey and Amy Poehler — hosting from opposite coasts — opened the ceremony making fun of the HFPA, which has been under mounting pressure for its lack of diversity.

“The Hollywood Foreign Press Association is made up of around 90 — no Black — journalists that attend movie junkets each year, in search for a better life,” said Fey.

Three senior HFPA officials took the Globes stage early in the night, pledging “a more inclusive future”, after several influential showbiz groups had piled on criticism including Hollywood’s actors and directors unions.

But the punches kept coming, with presenter Sterling K Brown quipping: “It is great to be black, um back, at the Golden Globes.”

Despite that controversy, the Globes remain a coveted prize and a high-profile source of momentum in the run-up to the season-crowning Oscars, which were pushed back this year to April 25.

Asked by AFP about heightened Oscar hopes for “Nomadland”, Zhao said: “The awareness that I think it’s going to bring to the nomadic community, I think is a great thing.”

Aaron Sorkin’s “The Trial of the Chicago 7” had been tipped for multiple Globes but had to settle for best screenplay, while “Mank” — an ode to “Citizen Kane” — left empty-handed despite topping the nominations. 

 

‘The Crown’ reigns

 

The remote ceremony battled through technical glitches and a few awkward moments.

The night’s first winner, “Judas and the Black Messiah” supporting actor Daniel Kaluuya, initially lost sound for his acceptance speech, forcing in-studio presenter Laura Dern to apologize before audio was restored.

Jodie Foster won best supporting actress for Guantanamo legal drama “The Mauritanian”, while Korean-American immigrant family drama “Minari” won the Globe for best foreign language film.

Pixar’s “Soul” — mispronounced by presenter Tracy Morgan as “Sawl”, to widespread amusement among the various stars appearing on videolink — won best animated feature, as well as best musical score.

In the television categories, the latest season of “The Crown” continued the show’s multi-year dominance at the Globes, with three acting awards and best drama series honours.

Netflix scored further wins for “The Queen’s Gambit”, for best limited series and best actress with Anya Taylor-Joy, while “Schitt’s Creek” followed up its Emmys sweep with best TV comedy.

 

Opel Astra Saloon 1.4T: Soldiering on, small saloon remains relevant

By - Mar 01,2021 - Last updated at Mar 01,2021

Photos courtesy of Opel

First introduced in 2009 and face-lifted in 2012, the Opel Astra “J” series may have been replaced in European and other markets by a successor model in 2015, but remains in production and soldiers on in some markets, including Jordan. 

A long-running survivor, the Astra “J” was first developed during the German brand’s General Motors era and continues after its historic ownership change to the Peugeot-led Stellantis (new PSA) group. But most importantly, a recent test drive reveals just how relevant the sometimes overlooked Astra still is.

 

Conservative yet contemporary

 

Put somewhat on the back burner by General Motors during the twilight years of its long association with the American automotive giant, Opel’s limelight may have been obscured somewhat, but nevertheless continued to do what they have always done best, and make solid, dependable, comfortable and understated, yet, well-engineered middle of the road mainstream cars. A great example of the Opel ethos, the Astra’s conservative, yet, contemporary aesthetic is a discreet design that steers clear of ostentatious overstatement, and has aged well in the face of flashier fads and fashions. 

Competing in the compact saloon C-segment alongside rivals such as the Volkswagen Jetta, Nissan Sentra, Hyundai Elantra and many others, the Astra “J” design still holds up well with its smooth curvatures, swept back fascia, and long, low arcing roofline. Sitting with a sense of purpose with its subtly bulging bodywork and sculpted character lines, the Astra’ grounded and sporty look is emphasised by a prominent sill crease that rises and blends into the rear wheel-arch and built-in rear spoiler jutting from the edge of its high-set boot.

 

Pulling hard

 

Virtually unaltered in visuals since 2012, the Astra “J” has nevertheless gained more powerful downsized engines, and has never driven better for it. Last driven locally many years ago in hatchback guise with an underwhelming naturally-aspirated 1.6-litre engine, the Astra’s current turbocharged direct injection 1.4-litre four-cylinder engine is, however, much improved with its punchy 138BHP output delivered at a 4,900-6,000rpm plateau. More relevant to daily driving and immediately evident is the Astra’s significantly enhanced and generously confident 148lb/ft torque, available throughout a broad 1,850-4,900rpm range, and peaking at 162lb/ft on temporary overboost.

Gaining an additional 23BHP and 34-48lb/ft, the 1.4-litre Astra makes considerable performance and efficiency improvements including 8.4-second 0-100km/h acceleration, 205km/h top speed and estimated 6.4l/100km combined fuel consumption. Well-suited to its smooth shifting 6-speed automatic gearbox, the front-drive Astra 1.4-litre engine is designed to perform well at relatively low revs. With a broad torque sweet spot that allows for confident on-the move flexibility whether pottering around in town or overtaking on the open road, the Astra meanwhile seamlessly builds up and transitions to its maximum power range by just 4,900rpm.

 

Confident comfort

 

Quick-spooling with negligibly little of the low-end lag often associated with turbocharged cars being detectible, the Astra’s 1.4T engine comes on boost and pulls with meaningful confidence from early on, set to a subtly percolating and gurgling intake soundtrack, reminiscent of its very powerful Opel GTC OPC (aka Vauxhall GTC VXR) hot hatch coupe sister model. Effortlessly confident from standstill and through revs, the Astra 1.4T proved surprisingly quick for its comparative class, but in true Opel fashion, its ride quality also felt like that of a larger, more expensive car.

A confident and comfortable riding car in the tradition of German cars developed for high speed autobahns, the Astra saloon rides with a planted stability often associated with premium brand cars and more sophisticated suspension than its front MacPherson strut and torsion beam rear set-up. Dispatching lumps and bumps in a settled and forgiving manner during a brief test drive on Amman roads, the Astra also benefitted from right-sized 215/60R16 tyres that well compromise absorption and grip, while retaining better steering feel than wider, more fashionable tyres and wheels.

 

 

A refined cruiser with a reassuringly mature ride and meaty “twitch-resistant” steering, the Astra saloon felt like a bigger car, but handled with much of the nimble agility expected of a compact car. Turning in tidily and responsively with a good degree of resilience to under-steer and accurate if not overly nuanced steering, the Astra proved eager and nippy through narrow roads, yet remaining reassuringly committed with good rear grip levels. Though comfortable, the Astra kept cornering lean well in check, and seemed to have good vertical and rebound control.

Quiet and comfortable inside, the Astra has an unostentatiously non-precious near-luxury ambiance inside with good padding, textures, fabrics, solid quality and assembly, and conservatively utilitarian styling. With plenty of user-friendly buttons rather than touch pads, it also has an accommodating and well-adjustable driving position, and a chunky upmarket multi-function steering wheel. Meanwhile, boot space is generous, boot access is adequate, and rear room and sightlines are decent for its segment. Equipment levels cover the most important comfort and safety features including front and side airbags, and electronic stability and traction control.

  • TECHNICAL SPECIFICATIONS
  • Engine: 1.4-litre, transverse in-line turbocharged 4-cylinders
  • Bore x stroke: 72.5 x 82.6mm
  • Compression ratio: 9.5:1
  • Valve-train: 16-valve, DOHC, variable valve timing, direct injection
  • Gearbox: 6-speed automatic, front-wheel-drive
  • Power, BHP (PS) [kW]: 138 (140) [103] @4,900-6,000rpm
  • Specific power: 101BHP/litre
  • Power-to-weight: 98.2BHP/tonne
  • Torque, lb/ft (Nm): 148 (200) @1,850-4,900rpm*
  • Specific torque: 146.6Nm/litre
  • Torque-to-weight: 142.3Nm/tonne
  • 0-100 km/h: 10.2-seconds (estimate)
  • Top speed: 205km/h
  • Fuel capacity: 56-litres
  • Fuel economy, urban/extra-urban/combined: 8.4-/5.3-/6.4litres/100km (estimate)
  • Fuel requirement: 95RON
  • CO2 emissions, combined: 138g/km (estimate)
  • Length: 4,658mm
  • Width: 1,814mm
  • Height: 1,500mm
  • Wheelbase: 2,685mm
  • Track, F/R: 1,541/1,551mm
  • Luggage volume: 460-litres
  • Kerb weight: 1,483kg
  • Steering: Electric-assisted rack & pinion
  • Turning radius: 11.5-metres
  • Suspension, F/R: MacPherson struts/torsion beam
  • Brakes, F/R: Ventilated discs/discs
  • Tyres: 215/60R16
  • Price, on-the-road: JD19,500
  • *Temporary overboost, lb/ft (Nm): 162 (220)

 

Financial literacy?

By , - Feb 28,2021 - Last updated at Oct 09,2022

Photo courtesy of Family Flavours magazine

By Chirsteen Haddadin
Certified Money Coach

 

We go to school for 15 to 20 years and learn about dozens of subjects, including science, maths, literature — everything but money. Then we graduate and spend the rest of our lives trying to make money. 

Today governments are waking up to the big gap in the traditional education system. Have you?

 

The importance of financial literacy

 

Financial Literacy is building the skills and tools we need to manage our finances- just like we built a basic understanding of taking care of our health; A good example would be our knowledge about COVID-19. Last year, we had no idea such a virus existed and in a less than a year we were able to learn about it; how it is transmitted, what the symptoms are and how to protect ourselves. Even without a medical degree, we could build the knowledge that serves us in our daily routine.

The same logic applies to many things in our lives. For instance, to own a car, we don’t have to be car experts or mechanics who understand how the engine works, but we need to know when, where and how to maintain it. We build knowledge that serves us in our daily routine.

Why should I care about financial literacy?

 

Money is a tool that we use daily and think about often. A lot of our decisions around money dictate our lifestyle and the options and choices we have. Building Financial Literacy would mean gaining basic knowledge, learning basic skills and tools that will allow us to make purposeful and conscious decisions about money.

Imagine a life where we are pro-actively managing our finances; we are aware of our spending, we have specific financial goals that we are working towards, our loans are light and well-managed, we have emergency money set aside and we have investments that grow our wealth. How does that sound? Financial Literacy can help us actively take charge of our money and direct it in a way that serves our goals and us.

 

Where do I start?

 

Starting to build Financial Literacy might seem overwhelming. There is so much knowledge out there and the world of money is full of fancy jargon and complicated terms. Again, keep in mind that what you are looking to learn about is related to your personal finances. 

A good place to start is building knowledge around four main concepts that are the basics of personal finance: 

• Personal budgeting

• Debt

• Emergency

• Funds Saving and investment funds

So many resources explaining the above concepts are available online for free through videos, articles and podcasts. Social media offers tips, ideas and advice on personal finance too. I also recommend asking for advice and guidance — reach out to your bank, to financial advisors and money coaches. There are qualified people out there who can assist you and add value to your financial literacy journey.

 

Reprinted with permission from Family Flavours magazine

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