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What is love, actually?

The world’s languages describe emotions very differently

By - Dec 21,2019 - Last updated at Dec 21,2019

Photo courtesy of wallpapersin4k.org

By Amina Khan

Is the meaning of love truly universal? It might depend on the language you speak, a new study finds.

Scientists who searched out semantic patterns in nearly 2,500 languages from all over the world found that emotion words — such as angst, grief and happiness — could have very different meanings depending on the language family they originated from.

The findings, described in the journal Science, shed light on the diversity of human feeling expressed around the globe — while still mapping some common linguistic landmarks among the languages’ internal emotional landscapes.

“We walk around assuming that everyone else’s experience is the same as ours because we name it with the same word, and this suggests that that might not be the case,” said senior author Kristen Lindquist, a psychologist and neuroscientist at the University of North Carolina at Chapel Hill. “I think there are some real implications for how we understand the emotional and social behaviours of people around the world.”

Many languages have words whose meanings seem so specific and nuanced that there’s no way to translate them; they can only be imported wholesale. Consider the German “schadenfreude”, the pleasure derived from another’s misfortune, or “sehnsucht”, a sort of deep yearning for an alternative life.

Those kinds of emotion words often feel rooted in the culture from which they emerged, said Asifa Majid, a cognitive scientist at the University of York in England. She pointed to the feeling of “awumbuk”, which Baining people in Papua Guinea experience when their guests depart after an overnight stay. It leaves people listless, she wrote in a commentary that accompanies the study, something akin to a “social hangover”.

Yet, many languages also have words that English speakers might think of as “basic” emotions — love, hate, anger, fear, sadness, happiness. Early theories, influenced by Charles Darwin and pegged to shared biological structures in humans, suggest there are certain universal emotions that serve as the source material for all others, as primary colours might be blended to create many new shades.

But just as later work has suggested that different cultures do not always categorise colour in the same ways, there’s a growing understanding that even those supposedly “primary” emotions may hold their own meanings and nuances in different cultures that aren’t directly translatable.

That raises an intriguing question: Are the supposedly “basic” emotions truly universal, or are they fundamentally specific to a culture and its language?

“This is also a huge debate in linguistics and cognitive science and philosophy,” Lindquist said. “How much does language reach down in your experience and shape it?”

Answering this question is really hard because cross-cultural studies on emotion often compare just two groups; even when more are involved, they’re usually from industrialised and globalised nations. It’s also hard to avoid certain kinds of bias among both experimenters and study participants.

So Lindquist and her colleagues tried a different approach. They put together a database that drew from translation dictionaries and word lists for 2,474 spoken languages across 20 major language families. Their sample included roughly a third of the world’s languages, including some spoken by millions of people and others used by only a few thousand.

The more than 100,000 words they collected featured 2,439 unique concepts, including two dozen for emotions. They took advantage of a phenomenon called colexification, where languages tend to use one word to cover more than one concept. (For example, in Russian there is a word that names both hand and arm, and in many languages the same word can mean bark, skin or leather.) These overlapping meanings give the scientists a better sense of the core ideas underlying the words.

For each language, the researchers used statistical methods to create a network of shared or overlapping meanings for words expressing concepts of emotion. That helped them see which feelings speakers of a given language considered similar to one another — and how those judgments of emotional similarity differed depending on the language they spoke.

The scientists found that all studied languages seemed to differentiate emotions based on two key factors: valence (how pleasant or unpleasant an emotion is) and activation (the level of physiological arousal associated with an emotion). These, Lindquist said, are likely linked to physiological states — a nod to the role biology may play in emotion.

Beyond those two major factors, however, the researchers found that language families encoded feelings in a wide variety of ways.

Take the Persian word “ænduh”, which is used to express the English-conceptualised emotions of “grief” and “regret”. The Sirkhi dialect of Dargwa, in contrast, uses “dard” to convey both “grief” and “anxiety”. Persian speakers, it seems, may think of grief as more related to regret while Dargwa speakers may see it as more similar to anxiety.

“Anger”, another emotion English speakers might think of as basic, also revealed its share of complexities.

In Indo-European languages (a huge group that includes such disparate tongues as English and Hindi-Urdu), it was closely linked to the emotional concept of “anxiety”. But in Austroasiatic languages (which include Vietnamese and Khmer), “anger” was related to “grief” and “regret”. Nakh-Daghestanian languages (which include Northeast Caucasian languages such as Chechen) connect anger to “envy”, while Austronesian languages (a family that includes Tagalog and Maori) linked anger to “hate”, “bad” and “proud”.

“We interpret these findings to mean that emotion words vary in meaning across languages,” the study authors wrote, “even if they are often equated in translation dictionaries.”

The researchers also found that languages whose speakers historically lived in geographic proximity tended to share similar networks of meaning. Whether this is because they share a linguistic inheritance or because they borrow liberally from their neighbours remains to be seen, the scientists said.

Majid called the breadth of languages and wide array of emotional concepts covered in the paper “unprecedented”.

“I thought it was really exciting,” she said in an interview. “That’s a new way to try and look at how emotions are expressed.”

Flu season is here, and it is coming for your kids

By - Dec 19,2019 - Last updated at Dec 19,2019

Photo courtesy of pngfuel.com

By Michelle Cortez

NEW YORK — The flu is out in force. And so far this season, it’s been hitting children the hardest.

Influenza is a wily virus — it’s almost impossible to predict where and how it will strike as it circumnavigates the globe. There are, however, some patterns that routinely occur, allowing investigators and public health agencies to sometimes anticipate what lies ahead.

This is not one of those times.

Officials at the Centres for Disease Control and Prevention said flu-like symptoms started spurring higher than normal doctor visits in the US in early November — weeks earlier than other recent flu seasons.

The disease has also shown up in and shut down elementary schools across the south and west, in states such as Texas, Idaho, Oregon and Alaska. Much of the northeast, a traditional hotbed for flu-induced misery, remains largely unscathed for now.

At the same time, the severity of this year’s flu has been comparatively low. The number of people dying from pneumonia and influenza during the first week of December was substantially lower than the 6.4 per cent threshold used to declare a flu epidemic at this time of year.

This of course is a welcome change from two years ago, when an intense flu season started picking up speed in November and held a sustained peak into January and February. Some hospitals were so overwhelmed that they set up triage tents in parking lots. Ultimately, about 61,000 Americans died, making it one of the longest and most deadly flu seasons in years.

So why do so many people have the flu so early this year, and why is it relatively weak? The type of virus that’s circulating may be the explanation.

“Influenza activity is a little bit unusual for this time of the year because what we have predominantly is influenza B,” said Lynnette Brammer, head of the CDC’s domestic surveillance program. “Influenza B activity tends to impact children more than adults, particularly older adults. And the elderly drive mortality and hospitalisations.”

But influenza B doesn’t let the youngsters off the hook.

“If we stick with an influenza B season, I expect this would probably be a mild year for the population as a whole,” Brammer said. “But for kids, hospitalisations and even paediatric deaths would be similar to any other season. For kids, influenza B can be just as bad as influenza A.”

It’s uncommon for influenza B to hit first in the US, which often sees an initial wave of the more dangerous influenza A viruses — the types that can cause a flu pandemic. But the season is far from over in North America: The current spread of a weaker Influenza B could easily be followed by a strain of influenza A.

“Anyone who tries to predict the flu season based on early information doesn’t understand influenza very well,” said Michael Osterholm, director of the Centre for Infectious Disease Research and Policy at the University of Minnesota. “The case numbers are up early, but it’s such a difficult disease to predict — I don’t think we can say anything about how severe it may be.”

There is one point of which experts are certain, though.

“Flu is here,” Osterholm said. “Now is the time to get an immunisation if you haven’t already.”

E-readers are winning

By - Dec 19,2019 - Last updated at Dec 19,2019

On a flight from Amman to Athens, Greece, two weeks ago, I could not but notice the number of passengers holding a Kindle in their hands and reading a book in digital format. The now famous e-reader device was introduced by Amazon back in November 2007.

Although surrounded by digital high-tech myself, if only because this is what I do for a living, I do not own a Kindle. Until now I have stuck to good old printed books, for a number of reasons, good or bad. Yet, seeing several passengers reading on Kindle on a rather short flight made me wonder whether I too should get myself one.

My personal analytical approach to acquiring an e-reader entails two main points to ponder. The first is the obvious, old debate about hard copy printed books versus digital contents you read on a screen. The second is whether it makes any difference reading digital contents on any kind of screen such as a laptop computer, a tablet or a large smartphone on one hand, and on a Kindle on the other.

Over the last 15 years or so the trend to avoid printing has gained significant momentum. Despite complex argumentation that computers, online applications, networks and digital devices do affect the environment in the end, given that they have to be powered, it definitely helps our planet to keep text in digital format and not to consume paper and ink by sending it out to a printer.

According to Canadian website ledevoir.com, the printed book market has been sustaining losses of five to ten per cent a year over the past few years. It quotes one of its readers who said that having a nice set of books displayed on his bookshelves “… makes me look smart when my friends are here and they see them!”

The fact is that reading a book is not the same as reading the news, short articles or enjoying social media on the web. A book, a long story, puts you in a special state of mind. A website with countless distractions such as photos, videos and ads, is not necessary the best place for the mind to focus on a book and to enjoy it fully.

An e-reader like the Kindle, in addition to being a digital device, presents several advantages that make it closer to a printed book, while not using paper at all. The e-reader is designed with a screen that makes reading the text very easy on the eyes in terms of sharpness, light and contrast, a non-negligible advantage that tablets and smartphones do not necessarily bring, for they want to let you play games and videos too. Amazon describes the screen of its new Kindle as being “Paperwhite”. Interestingly there is the word “paper” in it.

The new e-readers models are also waterproof so they can be used practically anywhere, anytime. Moreover, and precisely because of their display characteristics, their battery lasts a full day without recharge.

The handling experience is as close as possible to a printed book, plus the digital advantage. A device, especially if fitted with 32GB of memory, can store tens of books at one time. The 6-inch diagonal format is set in portrait mode, making it light and very comfortable to hold and to read. Some models are designed in 8-inch size but they seem to be less popular. The e-reader design is custom-made for the most pleasant book reading experience. Tablets and smartphones just cannot compete.

Another aspect that is rarely mentioned when people compare printed books and e-readers is the timing. We know and we realise that we live in a fast moving world. We want everything instantly. Printed books do not only deplete forests, they take time to print and to be physically distributed and available in bookshops. E-books on the other hand are immediately available, just after being written and edited. Only electronic text and network distribution are fast enough.

According to Rachel Nuwer on bbc.com: “… half of American adults now own a tablet or e-reader”. At the same time, she also wonders: “If the printed word becomes a thing of the past, it may affect how we think.”

Another and perhaps a critical point to ponder: won’t e-readers, precisely because they are particularly attractive, make the younger generation read more books? That would be a huge plus.

How long before no one prints books at all?

January likely to see spike in divorce filings as holidays end

By - Dec 18,2019 - Last updated at Dec 18,2019

AFP photo

By Erin Jensen

From Merry Christmas to married no more?

January has earned the nickname “Divorce Month” in legal circles because many couples wait until just after the holiday season to divorce.

Attorney Laura Wasser, who has represented celebrities such as Angelina Jolie, Johnny Depp and Ashton Kutcher in their divorces, says January has rightfully earned its reputation.

“It is absolutely true that the first month of the year, and in particular the first half of it, is the highest for either new clients or divorce filings,” she says. “Definitely that first week back [after the holidays] is always very busy.” In 2018, when Wasser launched her website It’s Over Easy, which provides online divorces and serves as a resource for those seeking divorce, she strategically chose the month of January.

According to Google Trends, the topic of “divorce” peaked the week of January 6-12. On Pinterest, queries for “divorce party” rose an average of 21 per cent from December to January in 2019 and the two years prior, according to Swasti Sarna, Pinterest insights manager.

A 2016 study from the University of Washington, which looked at divorce filings from 2001-15 in the state of Washington, concluded that the number of filings increased in January, compared to December. In looking at Ohio, Minnesota, Florida and Arizona additionally, associate professor for the school, Julie Brines, said, “the seasonal pattern of divorce filings is more or less the same”.

It’s worth noting that divorces (and marriages) are on the decline. There were approximately 8 per cent fewer divorces and annulments in 2017 compared to 2007, according to the CDC.

Wasser says stressors of the holiday season — travel and spending lots of time with family — can ultimately fracture the marriage.

“By the end of it, many people feel like, ‘I do not want to ever go through this holiday period again with this person,’” she says.

Wasser also believes the desire to make improvements in the coming year drives people to make changes. “I think it’s starting a new year and knowing that in a lot of states, like in California for example, there’s a six-month waiting period,” she says. “So, they want to really make sure that they’re done with their divorce by summer, by half the year, really getting a head start.”

Clients of Wasser’s long to preserve one last family holiday.

“Nobody wants to sit down with their kids on December 21 and go, ‘Listen, Mom and I are getting a divorce,’” she says.

Rosemary Lombardy, a financial adviser who penned “Breaking Bonds: How to Divorce an Abuser and Heal — A Survival Guide” after ending her own abusive marriage, said giving her children a joyous holiday motivated her, in part, to stay in her marriage.

“I thought about it for years, and I tried my best to make sure, like most mothers do, that my children had happy holidays,” she recalls. “I think that’s one of the reasons why women — even if they decided that they’re gonna divorce — don’t file during the holidays. They want that one last Thanksgiving or Christmas together, or spring break together as a family.”

What’s attractive about that final festivity?

“I think [the] idea of protection, being able to protect and shelter your children — you want them to enjoy the holidays and to have happy memories,” Lombardy explains.

For those contemplating divorce, Wasser underlines the importance of two things: kindness and knowledge.

Divorce isn’t going to be easy, but it doesn’t have to be contentious, she says.

“Creating more dissonance in your relationship — particularly if you have children with somebody that you’re gonna still know for the rest of your life, whether or not you’re married to him or her — doesn’t make sense,” she says. “You want to make sure that you get through it in a way that keeps as much of your money and your psychological well-being intact.”

Doing research before filing for a divorce can make the process less intimidating, she said.

“It’s a scary process, and the more you know, and the more of a community to which you belong, the easier it will be for you to get through it,” she said.

Mighty mice’ launched into space to help researchers study muscle atrophy and bone degeneration

By - Dec 17,2019 - Last updated at Dec 17,2019

A group of specially-bred “Mighty Mice” will spend 30 days in space to help researchers learn more about bone and muscle loss (Photo courtesy of JAX)

By Eliza Fawcett

HARTFORD, Connecticut — Forty mice were sent to the International Space Station on Thursday as part of a joint effort between the Jackson Laboratory for Genomic Medicine, UConn Health and Connecticut Children’s to better understand muscle atrophy and bone degeneration.

The mice were successfully launched from Cape Canaveral Air Force Station in Florida on SpaceX’s Dragon spacecraft on a Falcon 9 rocket at 12:29pm local time.

The so-called mighty mice were genetically engineered by the Jackson Laboratory’s custom breeding team in Bar Harbour, Maine, to lack myostatin and have about twice the average muscle mass. They will spend about four weeks in outer space, and the resulting data will help researchers explore how myostatin inhibitors could be used to treat muscle and bone loss.

The project is a collaboration between Dr Se-Jin Lee, a professor at the Jackson Laboratory and distinguished professor of genetics and genome sciences at UConn School of Medicine, and his spouse Dr Emily Germain-Lee, professor of paediatrics at the UConn School of Medicine and Division Head of Paediatric Endocrinology at Connecticut Children’s.

“This is a project that I’ve been trying to get off the ground, so to speak, for many, many years,” Lee said. “To see it all come together now is nothing short of amazing.”

Lee, who discovered the myostatin gene in 1997, was the first to show its role in regulating muscle growth.

“We are so excited to help advance our research findings both to help protect our astronauts travelling to space and to aid people here on Earth with serious health conditions that impact their muscle and bone strength and use, and most importantly their daily quality of life,” said Germain-Lee, who also heads Connecticut Children’s Centre for Rare Bone Disorders.

Lee and Germain-Lee are also working with the Jackson Laboratory to develop a curriculum around the project for Weaver High School and Kinsella Magnet School of Performing Arts in Hartford. Students will analyse data collected from space and conduct their own projects on muscular and bone degeneration, culminating in a presentation to scientists at the Jackson Laboratory in Farmington.

The animal rights group People for the Ethical Treatment of Animals raised concerns on Thursday about how the mice were bred and their use in the project.

“It would seem to us that from their beginning of their lives, these mice have known nothing but cruelty,” said PETA’s Vice President of Laboratory Investigations Dr Alka Chandna, adding that mice are mammals and can feel pain.

“The casual use of animals to modify the genetic integrity of their being and send them to space to do some vanity-driven project smacks to us of poor science and lack of consideration,” she said.

Foton Tunland S 4x4: Ruggedly reassuring pickup truck

By - Dec 16,2019 - Last updated at Dec 16,2019

Photo courtesy of Foton Motor

If ever there was an automotive segment well-suited to Jordanian roads, it is the diesel-powered compact dual car 4x4 pickup truck. Efficient and comparatively easy on the wallet in purchase, maintenance and fuel, despite being heavier and larger than most cars, such vehicles also boast reasonable comfort, spacious cabins with a good level of mod cons, and genuine and extensive off-road ability.

However, where they excel is in their rugged build quality and how they can shrug off the worst road conditions in their stride.

A relatively new addition to the Jordanian compact pickup segment, the Chinese-built Foton Tunland was first launched in 2011 and is well-placed a competitive player in a segment traditionally dominated by Japanese brand Thai-built vehicles. 

A convincing alternative to saloons and crossover SUVs for many work and private use drivers, the compact pickup is not without some daily drive drawbacks primarily at the rear, but as with any vehicle, there always compromises. But that said, the Tunland nevertheless proved to be a practical and charismatic daily drive and weekend warrior.

 

Visibility and versatility

 

A well-proportioned truck that avoids the unnecessarily high, blunt and obstructive front designs of many recent versions of other similar vehicles, the Tunland’s sloped bonnet angle and restrained A-pillar width allows for excellent front visibility to place it accurate on and off road. It lower bonnet also reduces the uncomfortable space between wheel-arch apex and bonnet top. Understated yet assertive, the Tunland features bulging wheel-arches, chunky tyres and concave surfacing at the rear quarters. Its diamond like headlights and triangular rear lights meanwhile lend it a grounded stance.

Powered by turbo-diesel four-cylinder engines including entry-level 2.5-lire Isuzu-sourced and range-topping 2.8-litre Cummins-built units, the featured 2.8-litre Isuzu engine Tunland S variant is the mid-range version. Mated to a Getrag 5-speed manual gearbox, it develops 114BHP at 3,600rpm and 206lb/ft at 2,300rpm, and is capable of carrying its 1,930kg mass though 0-100km/h in an estimated 12-seconds, and onto 150km/h. A low-revving turbo-diesel, the Tunland’s best efforts are available between peak torque and power points, and while its rev limit extends to 4,000rpm, it is more effective to upshift just after 3,600rpm.

 

Rewarding and refined

 

Quicker spooling from low-end, the Isuzu-powered Tunland 2.8 may not be the most powerful pickup there is, but with its small turbo, is responsive at low speed, and is relaxed and flexible driving in mid-range at legal speeds. Confident, stable and comfortable on long motorway jaunts, the Tunland’s ride quality smoothes out at speed. Meanwhile, it can climb 30 per cent slopes, but can feel slightly stressed at high elevation and in hot weather. Nonetheless, its slick, mechanical gear lever and intuitive clutch pedal are rewardingly user-friendly through inclines, winding routes and congestion.

Over nearly 1,500km on Jordanian roads and trails in various conditions including gruelling surfaces, elevation and weather the Tunland proved a capable competitor to Japanese rivals. With rugged body-on-chassis construction and leaf spring, live axle rear suspension the Tunland boasts a 2,730kg gross weigh capacity and effortlessly dispatches the lumps, bumps and demanding conditions of Jordan’s urban and rural roads and routes, with little apprehension of damage, while ride quality features good vibration absorption. Its tyres, meanwhile, find a happy compromise for off- and on-road driving, and grip, impact absorption and steering feel.

 

Tough terrain

 

Driven through torrential rain from Jerash to Amman, the Tunland’s 245/70R16 tyres, 200mm ground clearance, commanding driving position and good visibility, gutsy torque and manoeuvrability all helped negotiate the inclines, traffic, darkness, inconsistent surfacing and flooding with reassuring ease. Driven normally in rear-drive mode, the Tunland easily dispatches most trails and moderate off-road situations thus, but its four-wheel-drive quickly and smoothly engages for more difficult conditions and loose surfaces. For extreme conditions, surfaces, inclines and towing, where sustained low speed at high power is necessary, the Tunland features low ratio four-wheel-drive.

A thoroughly capable off-road vehicle the Tunland 4x4 features generous 26 degree approach and 20 degree departure angle to traverse deep ruts and crests. Good front visibility, big side mirrors and precise rack and pinion steering let one accurately and instinctively place it on narrow off-road trails, roads and parking garages. Meanwhile, independent double wishbone coil spring front suspension allows for long wheel travel and off-road angles for off-road ability and smooth, reassuring driving on paved roads. Balanced throughout corners, the Tunland also well-controls body lean for a pickup.

 

Tight turning

 

Turning into corners with reassuring grip, stability and unexpected agility whether on- or off-road, the Tunland’s steering has an intuitive feel, but needs more turns than cars with a quicker ratio set-up. Happy to be hustled through snaking lanes and tight corners, the Tunland’s well-weighted and nuanced steering also provides a tight turning circle for good manoeuvrability off-road and in crowded parking garages. Inside, the Tunland’s driving position may lack steering reach and lumbar adjustability, but is alert, spacious, ergonomic, comfortable and accommodating, while buttons and controls are logically presented within easy reach 

Refined for a pickup truck, the Tunland’s diesel clatter is evident but not particularly intrusive. Spacious and well laid out inside, it features honest but nicely finished hard surfaces. Cabin accessibility is great by car standards, but the door swing angles could be improved further. Equipment includes dual rear headrests, dual airbags, air conditioning, electric windows, remote central locking, USB/CD player and rear parking sensors to better judge distances where trickiest in a pickup. Returning 8l/100km combined fuel efficiency; the Tunland is capable of a long driving range, estimated at 800km or more in normal conditions.

TECHNICAL SPECIFICATIONS

 

Engine: 2.8-litre turbo-diesel, in-line 4-cylinders

Bore x stroke: 93 x 102mm

Compression ratio: 17.4:1

Gearbox: 5-speed manual, four-wheel-drive, low gear transfer

Power, BHP (PS) [kW]: 114 (115.5) [85] @3,600rpm

Specific power: 41BHP/litre

Power-to-weight: 59BHP/tonne

Torque, lb/ft (Nm): 206.5 (280) @2,300rpm

Specific torque: 101Nm/litre

Torque-to-weight: 145Nm/tonne

Top speed: 150km/h

Fuel consumption, combined: 8-litres/100km

Fuel capacity: 76-litres

Length: 5,310mm

Width: 1,860mm

Height: 1,860mm

Wheelbase: 3,150mm

Tread, F/R: 1,600/1,580mm

Overhang, F/R: 925/1,280mm

Minimum ground clearance: 200mm

Kerb weight: 1,930kg

Gross weight: 2,730kg

Suspension, F/R: Double wishbones, coilovers/leaf springs, live axle

Steering: Power-assisted rack & pinion

Brakes, F/R: Ventilated discs/drums

Tyres: 245/70R16

What gets measured gets improved!

By , - Dec 15,2019 - Last updated at Dec 15,2019

Photo courtesy of Family Flavours magazine

By Ghadeer Habash

Internationally Certified Career Trainer

As we approach the end of the year, let’s get ready for 2020! If you are part of a team, it’s about time to start the annual evaluation to check what you achieved so far.

Before official management appraisals take place, it can be useful for every team to assess their team performance, including how many goals have been fulfilled. You still have the rest of November and December to meet unfinished objectives. 

Once you’re done with your assessment, you can start writing down your vision for 2020. How can things be better? On the work level and the personal level, what are the things that you want to achieve next year? 

Gather your team and start putting the road map for next year. Training is one of the most important factors that impact personal development as well as the outcome of any business process. Well-trained employees can improve the process and results. It’s good to start with some Training Needs Analysis (TNA), getting to know what every team member needs to do a better job. TNA helps in designing the training plan and identifies who is going to attend which training courses.

Evaluating the skill-set of everyone on the team is essential as it gives you direction-a clear training mission that can be properly planned and scheduled on the 2020 calendar.

 

Personal development

 

The same applies to personal goals. Evaluation of your annual performance is quite helpful, and you have until December to catch up and complete unaccomplished tasks. 

If you are not part of a team, you can think on the personal level what skills you need to acquire to do a better job. Design a training plan for yourself! This includes the areas you would like to develop your skills in and where you can find them — this requires some research on the best places that offer this kind of training and at what cost.

 

What if I don’t know what my training needs are?

 

Here are some tips to identify your training needs: 

• Using a good skillset assessment test; many are available online

• Talking to your supervisor or direct manager 

• Talking to a close friend who is familiar with your work and your capabilities

• Never approaching those who would react with “What?! You don’t need any training; you know it all!” Everyone needs personal and professional development

 

Keep in mind that if you keep doing what you’re doing in the same way you’re doing it, you will always get what you’ve always received: no better outcome. Better outcome requires some effort.

 

Reprinted with permission from Family Flavours magazine

‘Magical realism between East and West’

By - Dec 15,2019 - Last updated at Dec 15,2019

The Literary Influence of the Mediaeval Arabian Nights on Gabriel Garcia Marquez and Novelists of the Arab World

Aida O. Azouqa

US-UK: The Edwin Mellen Press, 2019

Pp. 210

 

It is truly a delight to have some of one’s favourite authors brought together in the perceptive analysis of Aida Azouqa, the late professor of English and Comparative Literature at the University of Jordan. As Muhsin Jasim Al Musawi of Columbia University writes in the Foreword, “Not much has been written on magical realism in Arabic narrative… Azouqa’s is an important exploration into the modern Arabic novel, its marvellous realistic turn, that received only a little and passing attention before.” (pp. iii, v)

While much has been written about “The Thousand and One Nights” (hereafter “Arabian Nights”), this is the first book to comprehensively examine its influence on these particular authors. The book is an important contribution to comparative literature and makes a surprising connection between the “Arabian Nights” and modern science fiction. Azouqa writes that it “was inspired by the impact of the Arabian Nights on world literature. It investigates the adaptations of the Arabian Nights’ tales, its formal, thematic, and magical features” on select examples of modern literature”. (p. i)

In successive chapters, Azouqa documents the influence of the “Arabian Nights” on Gabriel Garcia Marquez’s “One Hundred Years of Solitude”, Gamal Al Ghitani’s “The Zafarani Files”, Tahar Ben Jelloun’s “The Sand Child”, Fadhil Al Azzawi’s “The Last of the Angels”, Ibrahim Al Koni’s “The Bleeding of the Stone”, and Mahmod Al Wardani’s “Heads Ripe for Plucking”. In addition, short but informative appendixes trace a similar influence on Naguib Mahfouz’s “Arabian Nights and Days” and Salman Rushdie’s “Midnight Children”.

Whereas magical realism originated as an art movement expressing the sense of instability in post-World War I Germany, Azouqa links its spread as a literary movement in the post-colonial world, first of all Latin America, to rejection of “the colonisers’ paradigms of otherness and dominance”, instead seeking to rediscover an authentic identity, unclouded by racist presuppositions. “Magical realism’s appeal to post-colonial societies was also the outcome of its penchant for re-establishing contact with oral traditions… the collective memories that allowed indigenous populations to re-assert their identity.” (p. 4-5)

In the case of the Arab novels which Azouqa analyses, the use of myth, legend and other “unreal” elements provided a vehicle for overturning colonial narrative as well as expressing opposition to dictatorial regimes and reinterpreting history, meanwhile allowing the authors to avoid censorship and persecution. 

Most of the writers in question have acknowledged their debt to the “Arabian Nights”, and Azouqa points out the specific features which their novels share with the mediaeval text. Among these is incorporating instances of the marvellous, i.e., events which can only be explained by magic. Drawing on the work of literary theorist Tsvetan Todourov, Azouqa divides the marvellous as found in the “Arabian Nights” into three categories: hyperbolic marvellous in which the text exaggerates the details, the exotic marvellous which records larger supernatural events, and the instrumental marvellous, where “one finds gadgets, technological developments unrealised in the period described but, after all, quite possible” — the forerunner of science fiction. (p. xx)

In all these texts, the fantastic, the marvellous, the supernatural is narrated as if it is perfectly natural, thus juggling the readers’ sense of time and place, and opening up for reinterpretation of conventional history. Another major device that reconfigures the presentation of reality is the use of fragmentary oral storytelling techniques. Azouqa finds that all these novels emulate the formal attributes of the “Arabian Nights” by having frame narratives, paralleling Scheherazade’s storytelling aimed at saving her life from the tyrannical Shahrayar, “which lead to embedded stories through multiple narrators, and the use of repetitions”. (p. 157)

Azouqa cites innumerable examples of how these devices are used in the selected novels and shows their analogy to specific stories in the “Arabian Nights”. Garcia Marquez depicts a plague of insomnia that causes a whole tribe to lose their memory as a metaphor for Spanish colonialism’s destruction of Native American culture. Using the phenomenon of metamorphosis found in the “Arabian Nights”, Al Koni has his protagonist metamorphise into a waddan (a desert ram revered by his people, the Tuareq) to escape conscription into the Italian army, symbolising a return to nature and the authentic “primitive” to confront the oppressor. “Ben Jelloun uses human freaks to illustrate hybridity and Otherness in the colonial context. He based the novel’s human freaks on correspondences in the ‘Arabian Nights’.” (p. 94)

Al Wardani’s novel is narrated by three decapitated heads signifying the cruel methods employed to stamp out political opposition. Azouqa names these speaking heads as the most significant resemblance to the tales of the “Arabian Nights” which “have numerous instances of robot-like beings that scholars refer to as automatons [creatures neither living nor dead]”. (p. 145)

These are only a few of the multiple examples mustered by Azouqa to prove her thesis about the major impact of the “Arabian Nights”. In an obviously well-researched book, she moreover gives the reader an idea of the plots, themes and motivations of the selected writers. Besides having great literary value, this book shows the vast potential of literature to speak out against injustice in all its forms and to give voice to people who have been silenced by colonialism and/or modern tyranny.

 

 

AI puts final notes on Beethoven’s Tenth Symphony

By - Dec 14,2019 - Last updated at Dec 14,2019

Photo courtesy of scitechdaily.com

BERLIN — A few notes scribbled in his notebook are all that German composer Ludwig van Beethoven left of his Tenth Symphony before his death in 1827.

Now, a team of musicologists and programmers is racing to complete a version of the piece using artificial intelligence (AI), ahead of the 250th anniversary of his birth next year.

“The progress has been impressive, even if the computer still has a lot to learn,” said Christine Siegert, head of archives at Beethoven House in the composer’s hometown of Bonn.

Siegert said she was “convinced” that Beethoven would have approved since he too was an innovator at the time, citing his compositions for the panharmonicon — a type of organ that reproduces the sounds of wind and percussion instruments.

And she insisted the work would not affect his legacy because it would never be regarded as part of his oeuvre.

The final result of the project will be performed by a full orchestra on April 28 next year in Bonn, a centrepiece of celebrations for a composer who defined the romantic era of classical music.

“It’s completely new territory,” said Dirk Kaftan, conductor of the Beethoven Orchestra, which will perform the piece.

“We musicians are in two minds about it.”

Beethoven, Germany’s most famous musical figure, is loved in his homeland and critics of the project are concerned about protecting Beethoven’s legacy.

The “national duty” to prepare for the anniversary was even written into a right-left coalition agreement to form a govenment six years ago.

The year of celebrations officially begins on December 16 — believed to be his 249th birthday.

But a press preview on Friday at the Beethoven House Museum in his native Bonn following a renovation offered insights into his genius, including the notebooks he used to communicate after going deaf in 1801 — 26 years before his death.

 

‘Scope for improvement’

 

Beethoven began working on the Tenth Symphony alongside his Ninth, which includes the world-famous “Ode To Joy”.

But he quickly gave up on the Tenth, leaving only a few notes and drafts by the time he died aged 57.

In the project, machine-learning software has been fed all of Beethoven’s work and is now composing possible continuations of the symphony in the composer’s style.

Deutsche Telekom, which is sponsoring the project, hopes to use the findings to develop technology such as voice recognition.

The team said the first results a few months ago were seen as too mechanical and repetitive but the latest AI compositions have been more promising.

Barry Cooper, a British composer and musicologist who himself wrote a hypothetical first movement for the Tenth Symphony in 1988, was more doubtful.

“I listened to a short excerpt that has been created. It did not sound remotely like a convincing reconstruction of what Beethoven intended,” said Cooper, a professor at the University of Manchester and the author of several works on Beethoven.

“There is, however, scope for improvement with further work.” 

Cooper warned that “in any performance of Beethoven’s music, there is a risk of distorting his intentions”, but this was particularly the case for the Tenth Symphony as the German composer had left only fragmentary material.

Similar AI experiments based on works by Bach, Mahler and Schubert have been less than impressive.

A project earlier this year to complete Schubert’s Eighth Symphony was seen by some reviewers as being closer to an American film soundtrack than the Austrian composer’s work.

Is 2020 the start of a new decade?

By - Dec 12,2019 - Last updated at Dec 12,2019

AFP photo

By Joel Shannon

The upcoming New Year has been widely heralded as the start of a new decade — the 2020s. But an old timekeeping dilemma has led some to contend we’re celebrating too early and should actually wait until January 1, 2021.

A decade is a period of 10 years — that isn’t disputed. But a glitch in our calendar system creates a problem if you think decades should begin in years ending with a zero. If you continue the pattern back about 2020 years, you run into a major issue.

That’s because there is no “year zero” in our calendar system, explained Craig Callender, a professor of philosophy at UC San Diego who has studied the physics and experience of time.

The lack of a year zero means the only consistent way to measure decades — or centuries or millennia — is to start them in years ending in one: That’s the theory presented in explanations of the debate published by the Farmer’s Almanac, timeanddate.com, the New York Times and others.

But because a decade is simply a unit of 10 years, there is no right answer, Callender told USA Today.

Here’s the argument explained:

The case for beginning the decade in 2021

The basis of this argument is a single calendar year that happened more than two millennia ago.

At that point in time, our current calendar system pivots from years labelled BC — “Before Christ” — to years labelled AD — “anno Domini” or “in the year of the Lord”. It’s an attempt to centre the calendar around the birth of Jesus, although the historical accuracy of that date has been called into question.

There is no year zero in the switch, Callender said. The BC years count down to 1 BC, which is immediately followed by AD 1.

The lack of a year zero means the first AD decade started at year 1 and ran until the end of year 10; the second decade started on year 11.

Follow the pattern for 200 more decades, and here we are — still one year away from the start of the next decade, which will begin on January 1, 2021.

The case for beginning the decade in 2020

People who say we should wait a year to celebrate the new decade have a point, but it’s not a very good one, according to Callender.

Marking the beginning of a decade in a year ending in one is out of step with how we think and talk about time, he said.

When we count our children’s ages, we start at zero — not one. When we talk about decades such as the 1960s, we start at years ending with zero — not ending in one.

Celebrating the beginning the decade on Jan. 1, 2020, simply makes things easier in the present day, Callender said. It’s a convention that is “pretty good for everything really, unless you run it all the way back”.

The widely-documented argument between timekeeping purists and the average person is “pretty silly”, he commented. The reality: There’s no perfect solution that will please everyone.

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