‘Kung Fu Panda 3’ tops box office; ‘Finest Hours’ flounders

LOS ANGELES — “Kung Fu Panda 3” kicked its way to the top of the North American box office with a respectable $41.3 million, according to Rentrak estimates Sunday.

The DreamWorks Animation film cost a reported $145 million to make and earned a strong “A’’ CinemaScore from audiences — 70 per cent of whom were families.

“It’s a bold move to take a franchise which has had great success in that summer corridor and move it into late January, which is generally considered a very slow time,” Rentrak’s senior media analyst Paul Dergarabedian said. “It also filled a huge void in the marketplace.”

The first film opened to $60.2 million in 2008 and the second to $47.7 million in 2011.

For Fox, switching up the release was a no-brainer after seeing the successes of “The Lego Movie” and last year’s “The SpongeBob Movie: Sponge Out of Water” in this time frame.

“We know that when the market conditions are right, this business really is a 365-day-a-year business,” said Chris Aronson, Fox’s domestic distribution chief. “We saw an opportunity and we grabbed it. We’re thrilled with the results.”

There are a number of winter holidays coming up where kids will be out of school and “Zootopia”, 2016’s next big animated release, doesn’t open until March 4.

The animated sequel also fared much better than the weekend’s other new openers, like Disney’s Coast Guard adventure “The Finest Hours”, which debuted in fourth place with $10.3 million.

Based on a real life 1952 rescue mission, “The Finest Hours” stars Chris Pine, Casey Affleck and Ben Foster and cost around $80 million to make.

Dergarabedian thinks that the nautical theme might have seemed too similar to the recently released “In the Heart of the Sea” for audiences.

The opening is similar to last year’s “McFarland, USA”, another fact-based drama from Disney, which opened with $11 million in late February and went on to earn $44.4 million.

The “Fifty Shades of Grey” parody “Fifty Shades of Black”, meanwhile, earned a modest $5.9 million for 10th, but it only cost a reported $5 million to produce. Marlon Wayans co-wrote, stars in and produced the R-rated takeoff.

“Spoof movies and parodies have a very mixed box-office record,” Dergarabedian said. “The reviews are never good on these movies. You have to really hope you’re riding a wave of the popularity of the movie you’re spoofing.”

“Fifty Shades of Grey” was released last February and its sequel isn’t expected until next year.

The Weinstein Company’s Natalie Portman-led Western “Jane Got a Gun” misfired out of the gates, bringing in only $803,000 on a $25 million budget.

Overall, there wasn’t much space for newcomers with strong holdovers like “The Revenant” and “Star Wars: The Force Awakens”, which took second and third place with $12.8 million and $11.1 million, respectively. Both fell only 23 per cent from last weekend.

Notably, Fox’s “The Revenant”, once considered a possible box-office disaster with its gritty subject matter and reported $135 million budget, has earned $138.2 million to date in six weeks in theatres thanks in part to its awards hot streak with multiple wins for star Leonardo DiCaprio and a host of high-profile Oscar nominations.

“It’s a marvellous thing for us, for the industry, for filmmaking in general. To have a hold like this is really heartening,” Aronson said. “This is a pretty good weekend. There’s a very balanced marketplace here. There’s something for everyone out there now, and I’ve always said that’s when this business is at its best.”

Fourth was “The Finest Hours”, a rescue-at-sea drama that made $10.3 million on its debut weekend.

Starring Chris Pine and Casey Affleck, it’s based on the true story of a 1952 rescue of a ship that breaks apart during a raging New England nor’easter.

Comedy “Ride Along 2” was fifth with $8.4 million in receipts. A sequel starring Ice Cube and Kevin Hart, the comedy has been in theatres for three weeks.

Rounding out the top 10 were: “Dirty Grandpa”, $7.6 million, “The Boy”, $7.6 million, “The 5th Wave”, $7.1 million, “13 Hours: The Secret Soldiers of Benghazi”, $6.3 million in ninth spot.